John Coltrane + 192 Khz

During Coltrane’s Atlantic years, he made important recordings such as "Giant Steps" and "My Favorite Things", recorded albums with Milt Jackson, Don Cherry, and Eric Dolphy and made his debut on the soprano saxophone. The Penguin Guide to Jazz assigned its 'Crown' award to the box set, in addition to giving it a four-star rating (of a possible four).

John Coltrane’s Giant Steps is one of the most important albums in American music history.

Coltrane Jazz is the sixth studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records.

Coltrane is a 1962 studio album by jazz saxophonist John Coltrane.

Cattin' with Coltrane and Quinichette is an album by jazz musicians John Coltrane and Paul Quinichette, released in 1959 on Prestige Records, catalogue 7158. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey, and issued two years after the recording sessions took place, and after Coltrane's contract had already run out with the label.

The Coltrane Legacy is a compilation album credited to jazz musician John Coltrane, released in 1970 on Atlantic Records. Issued posthumously, it consists of outtakes from recording sessions which yielded the albums Olé Coltrane, Coltrane Plays the Blues, Coltrane's Sound, and Bags & Trane. All selections were previously unreleased.

History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience.

Coltrane Plays the Blues is an album of music by jazz musician John Coltrane, released in July 1962 on Atlantic Records. It was recorded at Atlantic Studios during the sessions for My Favorite Things, assembled after Coltrane had stopped recording for the label and was under contract to Impulse Records.

This is a monumental recording. Not just in the sense of its historical import—and there is quite a bit of that—but also in the sense of its sheer sonic impact.

Seldom does a "cash in" turn into a "classic," but in the case of this 1961 album of outtakes and leftovers by Thelonious Monk and John Coltrane recorded four years prior, that's exactly what happened.