John Coltrane + 192 Khz

The Believer is a jazz album credited to John Coltrane released in 1964 on Prestige Records, catalogue 7292.

The Believer is a jazz album credited to John Coltrane released in 1964 on Prestige Records, catalogue 7292.

Whenever previously unreleased material by John Coltrane is discovered, it's an event. On Evenings at the Village Gate, Coltrane and his superb band are joined by Eric Dolphy, which makes for essential listening.

"Add Stardust to your Coltrane collection to get a more complete picture of the genius that is John Coltrane."

"… a timeless recording that sounds as fresh today … his execution, articulation, rhythm, phrasing and ideas were all one and his tone was crystallizing … he was fusing together all of the elements of playing music and playing the saxophone."

"… a timeless recording that sounds as fresh today … his execution, articulation, rhythm, phrasing and ideas were all one and his tone was crystallizing … he was fusing together all of the elements of playing music and playing the saxophone."

Lush Life is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records, catalogue 7188. It is assembled from unissued results of three separate recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval.

Live at Birdland is an album by jazz musician John Coltrane, released in January 1964 by Impulse! Records. Despite its title, only the first three tracks were recorded live at the Birdland club; the rest are studio tracks.

This album was recorded in the late 1950s but not released until 1964 to capitalize on John Coltrane's ever-increasing fame and success. Essentially an improvised extended jam session with Donald Byrd on trumpet, Red Garland on piano and drummer Art Taylor, this epitomizes Coltrane's trademark "sheets of sound".

This album was recorded in the late 1950s but not released until 1964 to capitalize on John Coltrane's ever-increasing fame and success. Essentially an improvised extended jam session with Donald Byrd on trumpet, Red Garland on piano and drummer Art Taylor, this epitomizes Coltrane's trademark "sheets of sound".