John Coltrane 1962

The classic 1962 album Duke Ellington & John Coltrane showcased the rising jazz saxophone innovator performing alongside the long-established piano institution…

Duke Ellington & John Coltrane - Duke Ellington & John Coltrane (1962) {Impulse!-Verve Originals 0602517486270 rel 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 81 Mb
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© 1962, 2007 Impulse! / Verve / UMG | Verve Originals Series | 0602517486270 | LP AS-30
Jazz / Post Bop / Mainstream Jazz / Piano / Saxophone

The classic 1962 album Duke Ellington & John Coltrane showcased the rising jazz saxophone innovator performing alongside the long-established piano institution. While the pairing might have portended a dynamic clash of the musical generations, instead we got a casual, respectful, and musically generous meeting of like-minded souls. Similarly, while one might have assumed that Ellington would use his sidemen, instead producer Bob Thiele (who also produced similar albums for Ellington including pairings with Louis Armstrong and Coleman Hawkins) chose to bring in Coltrane's own outfit for the proceedings.

Duke Ellington & John Coltrane - Duke Ellington & John Coltrane (1962) {Impulse! Japan, 32XD-587, Early Press}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 210 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (png) -> 133 Mb | 5% repair rar
© 1962, 1987 Impulse! / MCA Records / Warner-Pioneer Japan | 32XD-587
Jazz / Cool Jazz / Post Bop / Mainstream Jazz / Piano / Saxophone

Digitally remastered from the original stereo master tapes. A seminal meeting of the old and new generations of jazz in the 60s – put together in perfect Impulse fashion! At some level, this is actually an early 60s John Coltrane Quartet album – with Duke Ellington sitting in for McCoy Tyner on piano, as that's the lineup on about half of the album – tracks that feature Coltrane on tenor, Elvin Jones on drums, and Jimmy Garrison on bass, all working with Ellington on the keys. On other titles, though, the album features Coltrane playing with a Duke-ish trio that has Aaron Bell on bass and Sam Woodyard on drums – slightly less modern, but with a nice sense of depth throughout! Overall, the the record does a great job of balancing between the best talents of both players.

For this classic encounter, Duke Ellington "sat in" with the John Coltrane Quartet for a set dominated by Ellington's songs; some performances have his usual sidemen (bassist Aaron Bell and drummer Sam Woodyard) replacing Jimmy Garrison and Elvin Jones in the group. Although it would have been preferable to hear Coltrane play in the Duke Ellington orchestra instead of the other way around, the results are quite rewarding. ~ AllMusic

Duke Ellington & John Coltrane
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | no cue | no log | Covers | MU, FF, RS | 721 MB 3% recovery
1962 | Genre: Jazz | Label: Impulse! | IMP-166 Limited Edition | US pressing | Vinyl: M
180 gram vinyl reissue

For this classic encounter, Duke Ellington "sat in" with the John Coltrane Quartet for a set dominated by Ellington's songs; some performances have his usual sidemen (bassist Aaron Bell and drummer Sam Woodyard) replacing Jimmy Garrison and Elvin Jones in the group. Although it would have been preferable to hear Coltrane play in the Duke Ellington orchestra instead of the other way around, the results are quite rewarding.

(Scott Yanow - AllMusic Guide)

John Coltrane - The Impulse! Albums: Volume One (2007) [5CD] {Verve Originals Series Remaster}
EAC Rip | FLAC (tracks+.cue+log) - 1,20 GB | Scans TIFF - 471 MB | MP3 CBR 320 kbps (LAME 3.98) - 422 MB
Genre: jazz | RAR 5% Rec. | Label: Verve / Impulse! | 2007 Verve Originals

Each album newly remastered from the original master tapes. The set containing these five classic, influential John Coltrane albums: Africa/Brass (1961), Live At The Village Vanguard (1961), Coltrane (1962), Duke Ellington & John Coltrane (1962), Ballads (1962). If you like jazz and you don't own this then your a mug. Coltrane plays like a nutcase on this record. Coltrane is undoubtedly the scariest pair of lungs to ever touch a Sax. The whole album drags every emotion from your soul and creates something which will either make musicians hesitant to pick up their instruments or forever play with an unimaginable, inexplicable love for this insane thing called music.