The Shadows are usually thought of as the quintessential British instrumental group and, along with the American band the Ventures and the Swedish group the Spotnicks, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll – including the fact that they were the first homegrown British rock & roll band to dominate the U.K. charts, or that they weren't originally an instrumental group, either.
The Shadows are usually thought of as the quintessential British instrumental group and, along with the American band the Ventures and the Swedish group the Spotnicks, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll – including the fact that they were the first homegrown British rock & roll band to dominate the U.K. charts, or that they weren't originally an instrumental group, either.
The Shadows are usually thought of as the quintessential British instrumental group and, along with the American band the Ventures and the Swedish group the Spotnicks, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll including the fact that they were the first home-grown British rock & roll band to dominate the U.K. charts; or that they weren't originally an instrumental group, either.
Piece by Piece was the second album recorded by Martyn after his return to Island Records after a seven year absence. During this time, his releases on other labels had seen most of any rough edges smoothed off and his guitar playing become almost non-existent. The lighter jazz/pop style which had begun on Grace and Danger had taken over. Keyboardist Foster Paterson was a prominent contributor to the songs on Piece By Piece, which are a mix of the instantly memorable and the soon forgettable.
David Walter Foster, OC, OBC, is a Canadian musician, record producer, composer, songwriter, and arranger. He has been a producer for musicians including Christina Aguilera, Mary J. Blige, Andrea Bocelli, Toni Braxton, Michael Bublé, Peter Cetera, Chicago, John Parr, Natalie Cole, Alice Cooper, Celine Dion, Kenny G, Josh Groban, Whitney Houston, Michael Jackson, Chaka Khan, Kenny Loggins, Jennifer Lopez, Cheryl Lynn, Madonna, Olivia Newton-John, Brandy Norwood, Kenny Rogers, Seal, Blake Shelton, Rod Stewart, Barbra Streisand, Donna Summer, The Corrs and Jake Zyrus. Foster has won 16 Grammy Awards from 47 nominations. He was the chairman of Verve Records from 2012 to 2016.
Piece by Piece was the second album recorded by Martyn after his return to Island Records after a seven year absence. During this time, his releases on other labels had seen most of any rough edges smoothed off and his guitar playing become almost non-existent. The lighter jazz/pop style which had begun on Grace and Danger had taken over. Keyboardist Foster Paterson was a prominent contributor to the songs on Piece By Piece, which are a mix of the instantly memorable and the soon forgettable.
Tracks have a nice rolling feel, and the group is very comfortable with each other. Foster's tone is excellent. “….this is a great, great record; a very swingin', soulful, and I dare say slightly modal side from the great sax man Frank Foster, long time sideman and musical director of the Count Basie organization. …..Foster has assembled a very competent and skillful support crew, mostly former and then current Basie sideman (which accounts for the title of the LP: 'Basie is Our Boss…) but he is also supported by a great favorite of this blog; the unheralded John Young on piano. Unusually for an Argo side, there are only 6 tracks on this LP, as Foster & company are given a rare opportunity to stretch out and tackle the material.
Internationally known harmonica player and vocalist WILLIE J. FOSTER (1921.09.19/Leland, MS – 2001.05.20/Jackson, TN) played with blues greats Muddy Waters, Jimmy Reed, Howlin’ Wolf, Little Walter, and others during the 1950s and early 1960s. Despite health problems later in his life, he toured often and performed in many countries. Foster always returned to his roots in Mississippi’s Delta region, though, where he was known as the “Godfather of the Blues.”…….