Sixteen-time GRAMMY® award-winning songwriter and one of the most successful producers in history, musical icon David Foster performs songs from his unparalleled catalog along with friends such as Katharine McPhee, Pia Toscano, Loren Allred and more. Revisit hits like "The Power of Love", "The Prayer," songs from The Bodyguard and so many more.
is a 1983 romantic comedy film starring and . The original music score was composed by . Five years after the smash-hit musical of Grease, Olivia and John Travolta teamed up again to make Two Of a Kind. The two had being looking for a script to do together for a year and with over 30 studied, it seemed their film together would never be made. Either one of them liked the plot but the other didn't or vice versa. However, when John read the script to Two Of A Kind he called up Olivia and said 'If you don't like this one, I don't think we'll ever find another movie to do together.' Olivia did, so Two Of A Kind was born.
This session featuring pianist Elmo Hope and tenor saxophonist Frank Foster was originally recorded on October 4, 1955 in Rudy Van Gelder's Hackensack Studio for Bob Weinstock and Prestige Records. Rounding out the quintet are Freeman Lee on trumpet, John Ore on bass and Art Taylor on drums. The group tackles three Hope originals, two Foster originals and a solid rendition of "Georgia On My Mind." Hope had a very unique piano style which to me was a perfect synthesis of Monk and Bud, but his career was ultimately stunted due to drug addiction, incarceration, overall poor health, and ultimately his premature death in 1967 at the age of 44. The music should please bop fans.
Totally Hot is one of the most fun albums from Olivia Newton John. Total abandon is its trademark, the atmosphere lightened up a bit, and from top to bottom it is one of her most satisfying projects. "Please Don't Keep Me Waiting" is a girl group all grown up. Is it Newton-John's voice or Michael Botticker's synthesizer at the end of the first track? A little jarring for her country audience, but she takes care of them on "Dancin' 'Round and 'Round,"…
This recording of Alceste is performed by the Early Opera Company and Christian Curnyn, whose other Handel recordings for Chandos have all received glowing accolades: Semele, for instance, was an Editor’s Choice in Gramophone and one of the Records of 2007 in The Sunday Times. The recording of Flavio was nominated for a Gramophone Award in 2011, in the Baroque Vocal category.