Johnny Winter

Although his early Columbia albums brought him worldwide stardom, it was this modest little album (first released on Imperial before the Columbia sides) that first brought Johnny Winter to the attention of guitarheads in America. It's also Winter at the beginning of a long career, playing the blues as if his life depends on it, without applying a glimmer of rock commercialism. The standard classic repertoire here includes "Rollin' and Tumblin'," "I Got Love if You Want It," "Forty-Four," "It's My Own Fault," and "Help Me," with Winter mixing it up with his original Texas trio of Red Turner on drums and Tommy Shannon (later of Stevie Ray Vaughan's Double Trouble) on bass. A true classic, this is one dirty, dangerous, and visionary album. The set was issued in a sonically screaming 24-bit remastered edition on CD by Capitol in 2005.

Johnny Winter begins Raisin' Cain, his ninth studio album since signing to CBS Records in 1969 (his records are now issued on the Blue Sky subsidiary), with "The Crawl," a rock & roll dance tune, and he ends it with "Walkin' Slowly," which employs a Fats Domino-style New Orleans rhythm and the saxophone work of Tom Strohman. The two songs serve to reinforce Winter's allegiance to his roots in ‘50s rock, which define him as much as his blues work. In between these bookends, he presents his usual mixture of familiar cover songs and specially written (by others, that is) material, all of which serves, as usual, to showcase his fast-fingered lead guitar playing. His slide guitar dominates "Sittin' in the Jail House," for example, while much of the disc's second side is played in a Chicago blues style that recalls his recent efforts as producer to give Muddy Waters a late-career renaissance, notably the side-opening performance of Waters' "Rollin' and Tumblin'." A notable inclusion is a cover of Bob Dylan's "Like a Rolling Stone".

If you ever wondered what the white blues monster sounded like at the very peak of his name, this is it! Recorded at a 1969 Johnny Winter concer in Houston, Johnny and his regular band members (brother Edgar, I.P. Sweat, Uncle John Turner) display the honed-to-perfection combination of blues with rock that ws catapulting Johnny to stardom at tis very time in music history. No longer was he merely a regional blues man doing old favorites for a cult following; Johnny was blazing forth with a totally new sound that captured big audiences everywhere.

This album was recorded in Dallas, in the fall of '69 that also featured B.B. King, Sly & the Family Stone and Ten Years After.. By this time Johnny's popularity was such that he was no longer merely an opening act but a headliner and just a everyone expected, he stole the show. Not only that, we're lucky enough to have a really good quality recording surviving from that unforgettable show.

The rockin’ blues guitar legend Johnny Winter is showcased in a parade of relentless hot licks and menacing growls on this Alligator compilation. The material here was culled from three of Winter’s strongest Alligator albums-1984’s Third Degree, 1985’s Guitar Slinger and 1986’s Serious Business. It includes two previously unissued tracks in the Smiley Lewis flavored "Georgianna," which features Dr. John tickling the ivories, and the Delta-flavored "Nothing but the Devil," featuring James Cotton on harmonica.

Johnny Winter assembled Live in NYC '97 with assistance of his fan club, drawing all of the recordings from an April 1997 performance at the Bottom Line. Produced by Winter's longtime colleague Dick Shurman, the record doesn't follow the predictable pattern of a live album - instead of hits, it offers fan favorites and covers, which makes for a much more interesting listen. Throughout the album, Winter simply rips, tearing through all five songs with blistering energy. This is the live album hardcore fans have been wanting for years, and it doesn't fail to deliver on its promise.

Although it could be argued that, for the most part, Johnny Winter has gotten better and better as a guitarist over the years, his career has had its ups and downs for personal and professional reasons. Especially after involving himself in the latter stages of Muddy Waters' career and helping the veteran bluesman achieve a comeback with 1977's Hard Again, Winter made superior music of his own on the blues-oriented Nothin' But the Blues and White, Hot & Blue. But those albums didn't sell as well as some of his earlier rock-oriented ones, and after his 1980 album Raisin' Cain moved back toward rock, but didn't even make the charts, he left his major label and spent a few years without a record company. Signing to the Chicago-based independent blues label Alligator Records, he staged his own comeback with 1984's Guitar Slinger, and its follow-up, Serious Business, is in the same vein…

When Johnny Winter emerged on the national scene in 1969, the hope, particularly in the record business, was that he would become a superstar on the scale of Jimi Hendrix, another blues-based rock guitarist and singer who preceded him by a few years. That never quite happened, but Winter did survive the high expectations of his early admirers to become a mature, respected blues musician with a strong sense of tradition. Best known for his high-energy blues-rock albums and live performances in the late 1960s and 1970s, Winter also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time." This box set contains 5 Johnny Winter's albums: Johnny Winter (1969), Second Winter (1969), Live (1971), Still Alive And Well (1973), Saints & Sinners (1974).

Culled from Johnny's 3 '80s Alligator albums (Guitar Slinger-Serious Business-Third Degree) these 12 tracks prove that after the guitar slingers CBS years he still had the fire to burn the fingerboard! Back by top notch Chicago blues players and the occassional guest's Dr. John & Tommy Shannon (ex Stevie Ray Vaughan bassist) during his Alligator years, these recordings show Johnny at his best with no confetti or studio razzle dazzle. These raw to the bone blues tracks boil red hot. If you don't own any of the guitar legends Alligator albums, you must get this one.