Julius Hemphill

Julius Hemphill - The Boyé Multi-National Crusade For Harmony (Archival Recordings (1977-2007) (2021)

Julius Hemphill - The Boyé Multi-National Crusade For Harmony (Archival Recordings (1977-2007) (2021)
XLD Rip | FLAC (tracks, cue, log, booklet) - 2.7 GB | MP3 CBR 320 kbps - 1.08 GB
7:59:24 | Free Jazz, Poetry | Label: New World Records

There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill‘s recordings Dogon A.D. (1972) and ‘Coon Bid’ness (1975). Both five star recordings, now out of print, cost a small fortune to acquire. Years ago saxophonist Tim Berne, a disciple of Hemphill, endeavored to rescue the saxophonist’s Blue Boyé (1977) by rereleasing it in 1999 on Screwgun records. In that same spirit, this seven-CD boxset delivers seven-and-a-half hours of Hemphill’s music. The kicker is that it is all previously unheard and unreleased until now. The boxset is a labor of love from another Hemphill disciple and former band mate…
Julius Hemphill - The Boye Multi-National Crusade for Harmony - Archival Recordings 1977-2007 (2021) {Box Set,  New World}

Julius Hemphill - The Boyé Multi-National Crusade for Harmony - Archival Recordings 1977-2007 (2021) {Box Set, New World}
FLAC (tracks) - 16bit/44.1kHz - Official Digital Download -> 2.91 Gb | MP3 @320 -> 1.12 Gb
Full Artwork (jpg+pdf) -> 33 Mb | 5% repair rar
© 2021 New World Records / Anthology of Recorded Music, Inc. | 80825-2
Jazz / Contemporary Jazz / Avant-Garde Jazz / Saxophone

“Somehow I discovered I could write this music and play the saxophone. All that stumbling around and stuff, I ended up finally being able to play it a little bit. I ain’t the greatest by any means, not even close—but I think I’ve got depth, a broadness of my musical sensibility, that a lot of soloists don’t have, because they focus on that one thing, soloing. I want to develop the whole backdrop, the scenery. Once I found out that was possible, that I could collaborate with people, I came alive musically.” —Julius Hemphill

Julius Hemphill - Coon Bid'ness (1975) {Freedom CD 741028}  Music

Posted by ruskaval at Aug. 20, 2019
Julius Hemphill - Coon Bid'ness (1975) {Freedom CD 741028}

Julius Hemphill - Coon Bid'ness (1975) {Freedom CD 741028}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 276 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1972, 1975 Arista / Freedom | CD 741028
Jazz / Avant-Garde Jazz / Alto Saxophone

This historic LP includes a 20-minute performance with altoist Julius Hemphill, trumpeter Baikida Carroll, baritonist Hamiet Bluiett, cellist Abdul Wadud and drummer Philip Wilson ("The Hard Blues") taken from the same session that resulted in Dogon A.D. In addition, there are four briefer tracks that feature Hemphill, Bluiett, Wadud, altoist Arthur Blythe, drummer Barry Altschul and the congas of Daniel Zebulon. The music throughout is quite avant-garde but differs from the high-energy jams of the 1960s due to its emphasis on building improvisations as a logical outgrowth from advanced compositions. It's well worth several listens.
Julius Hemphill with Abdul Wadud and Don Moye - Raw Materials and Residuals (1978)

Julius Hemphill with Abdul Wadud and Don Moye - Raw Materials and Residuals (1978)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Black Saint Records, BSR 120 015 | ~ 208 or 86 Mb | Artwork(jpg) -> 28 Mb
Avant Garde, Free Jazz

~ Recorded in November 1977 in New York City (Usa) at Generation Sounds Studios ~
Julius Hemphill - Fat Man And The Hard Blues (1991) {Black Saint 120115-2}

Julius Hemphill - Fat Man And The Hard Blues (1991) {Black Saint 120115-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 306 Mb | MP3 @320 -> 131 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1991 Black Saint | 120115-2
Jazz / Contemporary Jazz / Alto Saxophone

After leaving the World Saxophone Quartet, the innovative altoist/composer Julius Hemphill recorded with an unaccompanied sax sextet. This CD features such great players as Marty Ehrlich, Carl Grubbs, the young James Carter, Andrew White, and baritonist Sam Furnace along with the leader on 14 of Hemphill's compositions. These miniatures (all under seven minutes) are most notable for their fresh melodies, logical arrangements, and spirited ensembles.

Oliver Lake, Julius Hemphill - Buster Bee (2002)  Music

Posted by v3122 at Jan. 18, 2019
Oliver Lake, Julius Hemphill - Buster Bee (2002)

Oliver Lake, Julius Hemphill - Buster Bee (2002)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Sackville Recordings, SKCD2-3018 | ~ 161 or 108 Mb | Artwork(jpg) -> 41 Mb
Free Jazz

~ Recorded at Eastern Sound, Toronto on March 1st, 1978 ~

Julius Hemphill - Flat-Out Jump Suite  Music

Posted by Garina at Jan. 16, 2009
Julius Hemphill - Flat-Out Jump Suite

Julius Hemphill - Flat-Out Jump Suite
Flac & MP3, 320 kbps | 196.5 MB & 94.2 MB | Rec 1980 | Label: Black Saint | CD 1993

Julius Hemphill Sextet - Five Chord Stud  Music

Posted by Garina at Nov. 16, 2008
Julius Hemphill Sextet - Five Chord Stud

Julius Hemphill Sextet - Five Chord Stud
FLAC & MP3@320 | 301 Mb & 141 Mb | Label: Black Saint
CD 1994 | Total Time: 63:57
Recorded in NYC, November 18&19, 1993

Julius Hemphill - Fat Man And The Hard Blues  Music

Posted by Garina at Nov. 11, 2008
Julius Hemphill - Fat Man And The Hard Blues

Julius Hemphill - Fat Man And The Hard Blues
Ape & MP3, @320 | 282 Mb & 121,4 Mb | Label: Black Saint | CD 1997 | Total Time: 55:09
Recorded: July 15 & July 16, 1991
The Julius Hemphill Sextet - Five Chord Stud (1994) {Black Saint 120140-2 rec 1993}

The Julius Hemphill Sextet - Five Chord Stud (1994) {Black Saint 120140-2 rec 1993}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 314 Mb | MP3 @320 -> 151 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1994 Black Saint | 120140-2
Jazz / Modern Jazz / Saxophone

Although altoist Julius Hemphill gets top billing on this CD, his heart surgery in 1993 forced him to stop playing. However, this saxophone sextet was his regular group; he contributed six of the eight compositions (the other two are free improvisations) and the chancetaking heard throughout this adventurous music definitely makes most of the performances sound like they came from a Julius Hemphill recording even if his alto is missed.