k 219

This is the second volume of Music & Arts' complete Scarlatti project performed by Carlo Grante. New Classics [UK] wrote of that release: Scarlatti's 555 keyboard sonatas are single movements, mostly in binary form…. Some of them display harmonic audacity in their use of discords, and also unconventional modulations to remote keys.

Wolfgang Amadeus Mozart - Concertos for Violin and Orchestra Nos. 3 & 5
Anne-Sophie Mutter / Herbert von Karajan / Berliner Philharmoniker
EAC+LOG+CUE | FLAC: 298 MB | Full Artwork: 49 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon "The Originals" # 457 746-2 GOR | Country/Year: Germany 1999, 1978
Genre: Classical | Style: Viennese School

…After winning several prizes, she was exempted from school to dedicate herself to her art. When she was 13, conductor Herbert von Karajan invited her to play with the Berlin Philharmonic: she made her public debut on stage in 1976 at the Lucerne Festival, playing Mozart’s Violin Concerto No. 4 in D major. In 1977, she made her debut at the Salzburg Festival and with the English Chamber Orchestra under Daniel Barenboim. At 15, Mutter made her first recording of the Mozart Third and Fifth violin concerti with Karajan and the Berlin Philharmonic…

Lola Bobesco: an admirable and great musician whose name is nowadays not as well-known as that of other important violinists of the 20th century. This might be attributed to the fact that you had to experience her live, on stage, where she was especially convincing. Her compelling and lively playing as well as the way she efficiently dealt with the kinetic energy of music made her audience listen with rapt attention. This is an extensive release which features Lola Bobesco. It contains three albums featuring violin concertos from the Baroque to the 20th century. Some of the recordings featured here are being released for the first time.

Mozart’s melodic inspiration was unceasing and permeated even his most private and intimate pieces. The acclaimed arranger, pianist and conductor, Peter Breiner, has selected across the range of Mozart’s compositions – including popular works from the symphonic, concerto and choral canon, as well as lesser-known works – to create an album of the composer’s greatest melodies arranged for piano.

Wolfgang Amadeus Mozart - Concertos for Violin and Orchestra Nos. 3 & 5
Anne-Sophie Mutter / Herbert von Karajan / Berliner Philharmoniker
EAC+LOG+CUE | FLAC: 298 MB | Full Artwork: 49 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon "The Originals" # 457 746-2 GOR | Country/Year: Germany 1999, 1978
Genre: Classical | Style: Viennese School

…After winning several prizes, she was exempted from school to dedicate herself to her art. When she was 13, conductor Herbert von Karajan invited her to play with the Berlin Philharmonic: she made her public debut on stage in 1976 at the Lucerne Festival, playing Mozart’s Violin Concerto No. 4 in D major. In 1977, she made her debut at the Salzburg Festival and with the English Chamber Orchestra under Daniel Barenboim. At 15, Mutter made her first recording of the Mozart Third and Fifth violin concerti with Karajan and the Berlin Philharmonic…

At the ripe old age of 19 Mozart wrote five violin concertos, and they represent his coming of age as a composer of orchestral music. From here on, it's basically one masterpiece after another. Though not difficult works, technically speaking, they partake in full measure of Mozart's uniquely sensual brand of melody. That means that successful performances must know how to spin out a singing musical line, while at the same time making the most of the rare opportunities for soloistic display.

At the ripe old age of 19 Mozart wrote five violin concertos, and they represent his coming of age as a composer of orchestral music. From here on, it's basically one masterpiece after another. Though not difficult works, technically speaking, they partake in full measure of Mozart's uniquely sensual brand of melody. That means that successful performances must know how to spin out a singing musical line, while at the same time making the most of the rare opportunities for soloistic display.