Karl Taylor Photography

The ultimate pro-studio photography knowledge revealed in our exclusive photography course "Some images are good but some images simply astound people. In this my most comprehensive pro level training package yet, I've dedicated 15 years of my Pro Studio photography secrets and knowledge into more than 10 hours of top-level training. Each chapter reveals something that most pro's would prefer kept as a closely guarded secret, but I reveal all to help you create cutting edge images that knock the socks off art directors and businesses.

Welcome to the fourth issue of Xposure, the online magazine from LEE Filters which, as always, is packed with inspiration and creative images, as well as practical ideas for getting the most from your photography. We interview commercial photographer Karl Taylor. He's always on the hunt for solutions to his next idea - be that photographing whisky glasses smashing in mid-air, or creating a scenario in which a model is fleeing from aliens. In 'Three of a Kind' we explain the differences and similarities between the 100mm, Seven5 and SW150 systems. Action photographer Chris Prescott proves filters are as integral to this kind of work as they are to any landscape image. Elsewhere we learn how wildlife photographer Luke Massey considers composition when working with unpredictable subjects, head for the coast in Anatomy of a Seascape and get the opportunity to learn from the pros in The Knowledge. Not forgetting our readers’ best images in The Gallery. We hope you enjoy the issue.

"Living Eyes" is the Bee Gees' 16th original album (14th internationally), released in 1981. The Bee Gees turned away from the disco sound that was prominent on their work in the middle-to-late 1970s with this album. However, the album was not a commercial success, perhaps due to their being so strongly associated with disco. It sold 750,000 copies worldwide, compared to 16 million copies of their previous studio album, "Spirits Having Flown", in 1979. While it did not sell well in either the UK or the US, the album itself was a Top 40 hit in the majority of territories in which it saw wide release. It would be the band's final album on RSO Records. The label would be absorbed into Polydor and subsequently discontinued.