My Foolish Heart is an anniversary release celebrating 25 years of the Keith Jarrett, Gary Peacock, and Jack DeJohnette trio's traveling and performing together despite the rich and varied individual careers of its members. Recorded in 2001 at the Montreux Jazz Festival, Jarrett held the tape close to the vest until what he felt was the right time for release – whatever that means. The bottom line is, listeners are very fortunate to have it. The official live offerings by this group have always been crystalline affairs of deep swinging communication, no matter the material. Not only is My Foolish Heart no exception, it is perhaps the standard by which the others should be judged.
This is a specially-packaged, specially-priced three CD set. Improvised, solo music from the great American pianist, recorded at two concerts that took place at the end of last year. In his liner notes, Keith gives a highly personal account of the music s inspirational genesis, which is outstanding, even by his own high standards, with powerful emotions never far from the music s surface. These are recordings to put alongside the very finest in Jarrett s solo idiom. The open format, embracing much music in shorter episodes, follows a pattern similar to that found on Radiance, but there are also flashes of the existential poetic flair which made, for instance, the Sun Bear Concerts such a special musical experience. The release of Testament coincides with the 40th anniversary of the ECM label.
Jarrett’s solo concert tradition continues with two highly creative performances of recent vintage - from Paris’s Salle Pleyel on November 26, 2008, followed by London’s Royal Festival Hall on December 1. The English date was Jarrett’s first London solo concert in many years and, in the words of one reviewer, “triggered the sort of ecstasy that might greet a returning prophet”. As with “Radiance” and “The Carnegie Hall Concert”, the music covers a wide arc of expression, as “that old Jarrett magic forges majestically on” (The Guardian).
Jarrett’s solo concert tradition continues with two highly creative performances of recent vintage - from Paris’s Salle Pleyel on November 26, 2008, followed by London’s Royal Festival Hall on December 1. The English date was Jarrett’s first London solo concert in many years and, in the words of one reviewer, “triggered the sort of ecstasy that might greet a returning prophet”. As with “Radiance” and “The Carnegie Hall Concert”, the music covers a wide arc of expression, as “that old Jarrett magic forges majestically on” (The Guardian).
Up there with 'Elastic Rock' by Nucleus and Soft Machine's 'Third', The Keith Tippett Group's excellent 'Dedicated To You But You Weren't Listening' occupies the upper echelons of British jazz-fusion and is rightfully hailed as a classic album by fans and critics alike…
Superlatives are inadequate for the box record company Universal Music recently released. Two hundred hits on ten CDs, hundreds of hits and a lot of TV and news clips on five DVDs and then another book as reference book. It can not be on. The disadvantage of the Testament of the sixties is that for a hundred euros a hefty investment. The advantage that you are now ready to be a hit with your sixties Collection.