Keith Testament

EMERSON LAKE & PALMER (ELP) reformed for the first time since 1998 to headline the High Voltage Festival on Sunday July 25th 2010. 2010 marked the 40th anniversary of the creation of Emerson Lake and Palmer, the band that was formed from King Crimson, The Nice and Atomic Rooster. They became the first true prog-rock Super Group and defined an era…

METAL ALLEGIANCE principal partner Mark Menghi, the project’s original material came together from the creative minds of David Ellefson of MEGADETH, Mike Portnoy of THE WINERY DOGS,and Alex Skolnick from TESTAMENT, alongside Menghi. The four writers then reached out through their metal phone books to a diverse lineup of performers, each adding their own personal musical stamp to the collection of nine original songs.

The Charles Lloyd Quartet - Love-In (1967) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27029}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 277 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1967, 2012 Warner Japan / Atlantic / Rhino | WPCR-27029 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Modal Music / Saxophone

Features 24 bit digital remastering. Comes with a description. Issued in 1966, Love-In was the follow-up to the amazing Dream Weaver, the debut of the Charles Lloyd Quartet. Love-In was recorded after the 1966 summer blowout and showed a temporary personnel change: Cecil McBee had left the group and was replaced by Ron McClure. McClure didn't possess the aggressiveness of McBee, but he more than compensated with his knowledge of the modal techniques used by Coltrane and Coleman in their bands, and possessed an even more intricate lyricism to make up for his more demure physicality. Of the seven selections here, four are by Lloyd, two by pianist Keith Jarrett, and one by Lennon/McCartney ("Here, There and Everywhere").

“Silver Dreams: The Complete Albums 1975-1980” is a fitting and thorough testament to a band that truly deserved to crossover into mainstream success. As a bonus, this collection’s 6th disc kicks off with the live, promo only “Live At The Tower Theatre, Philadelphia” from a 1977 concert whilst promoting their debut record. To complete the picture we go back to their very first recordings, with the aforementioned “The Official Unofficial BABYS Album”.

Miles Davis - The Cellar Door Sessions 1970 (2005) {6CD Columbia C6K 93614}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.17 Gb | MP3 @320 -> 821 Mb
Full Artwork @ 300 dpi (jpg) -> 132 Mb | 5% repair rar
© 1970, 2005 Columbia / Legacy / Sony BMG Music | C6K 93614
Jazz / Fusion / Jazz-Rock / Trumpet

When Miles Davis released Live-Evil in 1970, fans were immediately either taken aback or keenly attracted to its raw abstraction. It was intense and meandering at the same time; it was angular, edgy, and full of sharp teeth and open spaces that were never resolved. Listening to the last two CDs of The Cellar Door Sessions 1970, Sony's massive six-disc box set that documents six of the ten dates Davis and his band recorded during their four-day engagement at the fabled club, is a revelation now. The reason: it explains much of Live-Evil's live material with John McLaughlin.