Set 3: "Celestial Doggie: The Lobster Quadrille" - Long Beach Arena, Long Beach, CA - July 28th 1972. This set and its companion, the eight-CD volume two, display all the strengths that made Emerson, Lake & Palmer one of the world's most popular bands during the '70s, and the weakness that comes with a trio's attempt to play complicated music. Keith Emerson was a virtuoso keyboard player, Greg Lake supplied a pleasant voice and flair for writing melodic songs, and Carl Palmer played drums as though he would perish if he stopped. But the group lacked the depth of fellow progressive rock bands, such as Yes and King Crimson. Those groups supplied multiple lead instrumentalists – Yes with their guitar/keyboard tandem and Crimson with their venerable guitarist, Robert Fripp, and a series of cohorts who played saxophone, violin, or second guitar.
Set 2: "Waiting for the Corduroy Purpose" - Henry Lewit Arena in Wichita, KS March 26, 1974. Another batch of cleaned-up bootlegs chronicles some of Emerson, Lake & Palmer's finest shows. This eight-CD box set includes four complete concerts, each taking up two discs. In all, the two-volume Original Bootleg Series is comprised of eight shows covering 15 discs. Listeners should expect a lo-fi experience. The set is priced accordingly, about 45 dollars per volume. To be fair, the sound quality is for the most part decent to good. The first show in this collection was recorded at Hammersmith Odean in London on November 26, 1972. Subtitled "A Right Cordial Shocker," it runs 100 minutes. ELP had returned triumphantly to their home turf after touring the world behind Trilogy.
Set 1: "Stomping Encore" - Gaelic Park N.Y. Sep. 1st 1971 - The Stratasphere vs. The Spectre." This set and its companion, the eight-CD volume two, display all the strengths that made Emerson, Lake & Palmer one of the world's most popular bands during the '70s, and the weakness that comes with a trio's attempt to play complicated music. Keith Emerson was a virtuoso keyboard player, Greg Lake supplied a pleasant voice and flair for writing melodic songs, and Carl Palmer played drums as though he would perish if he stopped. But the group lacked the depth of fellow progressive rock bands, such as Yes and King Crimson. Those groups supplied multiple lead instrumentalists – Yes with their guitar/keyboard tandem and Crimson with their venerable guitarist, Robert Fripp, and a series of cohorts who played saxophone, violin, or second guitar.
Set 2: "The Iridescent Concubine" - Louisville Town Hall, Kentucky - Apr. 21st 1972. This set and its companion, the eight-CD volume two, display all the strengths that made Emerson, Lake & Palmer one of the world's most popular bands during the '70s, and the weakness that comes with a trio's attempt to play complicated music. Keith Emerson was a virtuoso keyboard player, Greg Lake supplied a pleasant voice and flair for writing melodic songs, and Carl Palmer played drums as though he would perish if he stopped. But the group lacked the depth of fellow progressive rock bands, such as Yes and King Crimson. Those groups supplied multiple lead instrumentalists – Yes with their guitar/keyboard tandem and Crimson with their venerable guitarist, Robert Fripp, and a series of cohorts who played saxophone, violin, or second guitar.
Set 4: "Iconoclastic Madness" - Saratoga Performing Arts Center in Saratoga Springs, NY, on August 13, 1972. This set and its companion, the eight-CD volume two, display all the strengths that made Emerson, Lake & Palmer one of the world's most popular bands during the '70s, and the weakness that comes with a trio's attempt to play complicated music. Keith Emerson was a virtuoso keyboard player, Greg Lake supplied a pleasant voice and flair for writing melodic songs, and Carl Palmer played drums as though he would perish if he stopped. But the group lacked the depth of fellow progressive rock bands, such as Yes and King Crimson. Those groups supplied multiple lead instrumentalists – Yes with their guitar/keyboard tandem and Crimson with their venerable guitarist, Robert Fripp, and a series of cohorts who played saxophone, violin, or second guitar.
Set 1: "A Right Cordial Shocker"- Hammersmith Odeon in London on November 26, 1972. Another batch of cleaned-up bootlegs chronicles some of Emerson, Lake & Palmer's finest shows. This eight-CD box set includes four complete concerts, each taking up two discs. In all, the two-volume Original Bootleg Series is comprised of eight shows covering 15 discs. Listeners should expect a lo-fi experience. The set is priced accordingly, about 45 dollars per volume. To be fair, the sound quality is for the most part decent to good. The first show in this collection was recorded at Hammersmith Odean in London on November 26, 1972. Subtitled "A Right Cordial Shocker," it runs 100 minutes. ELP had returned triumphantly to their home turf after touring the world behind Trilogy.
Set 4: "Strangely Beneficient," - New Haven Civic Center, New Haven, November 30, 1977. Another batch of cleaned-up bootlegs chronicles some of Emerson, Lake & Palmer's finest shows. This eight-CD box set includes four complete concerts, each taking up two discs. In all, the two-volume Original Bootleg Series is comprised of eight shows covering 15 discs. Listeners should expect a lo-fi experience. The set is priced accordingly, about 45 dollars per volume. To be fair, the sound quality is for the most part decent to good. The first show in this collection was recorded at Hammersmith Odean in London on November 26, 1972. Subtitled "A Right Cordial Shocker," it runs 100 minutes. ELP had returned triumphantly to their home turf after touring the world behind Trilogy.
Set 3: "My Darling Nemesis…The Illuminati" - Rich Stadium in Buffalo, NY, on July 26, 1974. Another batch of cleaned-up bootlegs chronicles some of Emerson, Lake & Palmer's finest shows. This eight-CD box set includes four complete concerts, each taking up two discs. In all, the two-volume Original Bootleg Series is comprised of eight shows covering 15 discs. Listeners should expect a lo-fi experience. The set is priced accordingly, about 45 dollars per volume. To be fair, the sound quality is for the most part decent to good. The first show in this collection was recorded at Hammersmith Odean in London on November 26, 1972. Subtitled "A Right Cordial Shocker," it runs 100 minutes. ELP had returned triumphantly to their home turf after touring the world behind Trilogy.