Carole King had already written an enormous amount of pop classics by the time she began her solo career in earnest in the late '60s. With her second album, Tapestry, King became one of the most popular and artistically successful singer/songwriters of the early '70s. King never matched the consistent brilliance of Tapestry, yet managed to record many fine songs during the rest of the decade. A Natural Woman collects all of her finest moments over the course of two discs. Tapestry is included in its entirety, along with the highlights from her other albums, making A Natural Woman the one essential King album – apart from Tapestry itself, of course.
‘Deborah contains some of the most glorious music Handel ever wrote. Even if many of the numbers have been recycled from earlier works, the invention is still staggering. Handel devotees can thus amuse themselves spotting the tunes while everyone else can revel in the sumptuous scoring and the sheer vitality and humanity of the piece, all superbly conveyed in Robert King's recording’.
The Best Of King Curtis 1952-1961 - Saxophone titan King Curtis gets the stellar showcase he deserves on Dave Penny’s latest career-defining set for Fantastic Voyage, continuing the roll which has seen the label raise the benchmark for knowledgeable, expertly-annotated compilations. Over three discs and nearly 100 tracks, Wail Man Wail! traverses the unmistakable tones of the late Curtis Ousley after he arrived from Texas in New York City in 1952, winning amateur night at Harlem’s Apollo before embarking on a recording career which took him to several seminal independent labels and bands with the likes of Lester Young and Lionel Hampton. He settled in New York for 17 years, declaring himself King Curtis and quickly making a name for roaring instrumentals and enhancing countless sessions.
Of the three blues Kings, Freddie King often gets overshadowed by B.B. and Albert, so he's in need of a collection like Real Gone's The Complete King & Federal Singles, a two-disc set that rounds up all his greatest work. Sitting alongside these classics, songs so firmly embedded in our consciousness he sometimes doesn't get the credit he deserves - songs like "Have You Ever Loved a Woman," "Hideaway," "San-Ho-Zay!," "The Stumble," "I'm Tore Down" - there are singles where Freddie rode the wave of what was popular. He tried to dance "The Bossa Nova Watusi Twist," he flirted with a bit of funk, he got slick and greasy toward the end of the '60s, never winding up with chart success but never embarrassing himself…
Three disc set compiling, comparing and contrasting three giants of guitar blues, B.B., Freddy and Albert. Although they share a name each guitarist has his own particular and inimitable style. Riley, or B.B. is a Blues institution while Freddy maintained a massively influential position on the British blues boom having Eric Clapton and Peter Greeen as disciples. Albert, with his flying V in tow, was capable of taking four notes and writing a volume. 'He can say more with fewer notes than anyone I've ever seen', said Mike Bloomfield. We have no presidents here, but three musical monarchs will more than suffice.