Altoist Richie Cole again shows us that bop not only old-fashioned, but it could be quite fun. He performs nine Dizzy Gillespie compositions (plus "You Go to My Head" which was actually co-written by Haven Gillespie) while joined by groups ranging from a two-guitar trio to a 13-piece band, all arranged in colorful fashion by Bob Belden.
These sessions document unequivocally why Dizzy Gillespie is still considered one of the greatest improvisers in the history of jazz, for his mastery of the instrument, his command of time, his control over musical ideas, and his ability to entertain. He was blessed during this period, which spans 1954 to 1963, with stellar sidemen, unparalleled arrangements, and a surge of excitement for making music.
Gary Keys' 1986 film capturing Dizzy Gillespie and band live in Redondo Beach, CA. The trumpeter/bandleader is in great form, leading his crack band through classics from various parts of his career. Filmed in Gary Keys signature style, with lots of closeups of the players, capturing all of the impish comedy and good times of the elder statesman of jazz.
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Afro (1954). Pairing Dizzy Gillespie with Cuban arranger/composer Chico O'Farrill produced a stunning session which originally made up the first half of a Norgran LP. O'Farrill conducts an expanded orchestra which combines a jazz band with a Latin rhythm section; among the participants in the four-part "Manteca Suite" are trumpeters Quincy Jones and Ernie Royal, trombonist J.J. Johnson, tenor saxophonists Hank Mobley and Lucky Thompson, and conga player Mongo Santamaria. "Manteca," written during the previous decade, serves as an exciting opening movement, while the next two segments build upon this famous theme, though they are jointly credited to O'Farrill as well. "Rhumba-Finale" is straight-ahead jazz with some delicious solo work by Gillespie…
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)