…The piano sounds brilliant and thrilling, with impeccable nuance and detail, so that everything from the vicious percussive moments of the Prokofiev to the lovely, water color like impressionism of Iberia comes through with incredible clarity and precision. What's also quite remarkable about these tracks is their often astonishing dynamic range. Lang Lang coaxes everything from the quietest whisper to the loudest explosion out of his Steinway, and both DTS tracks recreate that sonic variety wonderfully well. Lang Lang is one of the vanguard artists of his generation, and this sterling concert shows him off brilliantly. With a near perfect video presentation and a perfect audio one, this certainly augurs well for Lang Lang's new partnership with Sony. Highly recommended.
The music of Chopin has accompanied Lang Lang throughout his career, and now, in his 30th-birthday year, Lang Lang records his first album entirely devoted to his music.
Lang Lang revisits giants of Russia's Romantic musical soul, Tchaikovsky and Rachmaninov, to reveal another side of his prodigious talent–his finesse as a collegial interpreter of chamber music. This release, Lang Lang`s first ever chamber music recording, also features two giants of their instruments: Vadim Repin on violin and Mischa Maisky on cello. Lang Lang could not be in better company to reveal the inexhaustible inventiveness of Tchaikovsky's Piano Trio in A minor, op. 50 or the tender consolations of Rachmaninov's Trio élégiaque no. 1 in G-minor, a short early masterpiece composed before Rachmaninov was twenty.
One of the world's biggest classical stars, Lang Lang, returns with his brand new solo album 'Piano Book' – a collection of pieces which first inspired him to play the piano and led him on his path to international stardom. The recording, his first new studio album in three years, marks his return to Universal Music Group and Deutsche Grammophon – the label he first signed to in 2003.
Recorded during live concert performances, Lang Lang's second Telarc release justifies all the positive buzz surrounding this young pianist's rapidly ascending international career. He brings plenty of finger power and long-lined drama to Rachmaninov's ubiquitous Third Concerto, yet takes plenty of time to let the lyrical, soaring tunes spin without an inkling of self-indulgence. He admirably adjusts the piano part to accompany when he doesn't bear the melodic burden, and he gets more expressive mileage from transitions than many pianists do. For once, the thicker, more difficult first movement cadenza doesn't sound unwieldy and elephantine. The piano is a little too prominent in the mix next to Temirkanov's sensitively detailed, flowing orchestral support. While Lang Lang has not fully internalized the quivering underbelly of Scriabin's passionate keyboard writing, his poised and secure readings of 10 Etudes still boast plenty of dynamism, idiomatic nuance, and roaring, Horowitz-like octaves. Watch this pianist!
World-renowned pianist Lang Lang continues his celebration of composer Franz Liszt’s 200th Birthday with Liszt Now. The new video features Live at The Roundhouse, a 60-minute live concert from the 2011 iTunes Festival in London and The Art of Being a Virtuoso, a 71-minute documentary following Lang Lang’s global celebrations of Franz Liszt’s anniversary. Also included is A Visual Journey with Franz Liszt, 55 minutes of bonus content featuring video projections used at the Roundhouse concert set to select studio recordings from Lang Lang’s latest album, Liszt: My Piano Hero.
Filmed live in Vienna's legendary Musikverein concert hall, this release represents Lang Lang's second live recorded recital to date after the best-selling "Live at Carnegie Hall" in 2004, which marked his international breakthrough as a recording artist.
…The Liszt Hungarian Rhapsody No. 2, which Lang Lang first encountered in the music of a Tom & Jerry cartoon, lets loose some high spirits that speak of youthful enthusiasm revisited. Deutsche Grammophon's engineers have done their utmost to make the label's new property sound good, and they pick up the overtones that roll around inside the piano as Lang Lang's pedal does its magical work.
Martin Lang returns for his second album for what Lang and his producer and liner notes writer Dick Shurman both call this an “ensemble album.” There is a team behind the effort, with Oscar Wilson fronting the band with his sublime vocal style on five tracks, Rusty Zinn singing on two tracks and Martin singing on the first and last tracks. Five of the cuts are instrumentals and showcase Lang on harp and Billy Flynn and Zinn as guitarists. Illinois Slim and Jimmy Upstairs share the bass duties and Dean Haas is on drums throughout. Dave Waldman also tinkles the keys on a couple of tracks.