Layton

Stephen Layton, Polyphony, Britten Sinfonia - James MacMillan: Seven Last Words from the Cross (2005)

Stephen Layton, Polyphony, Britten Sinfonia - James MacMillan: Seven Last Words from the Cross (2005)
EAC | FLAC | Image (Cue & Log) ~ 253 Mb | Total time: 68:35 | Scans included
Classical | Label: Hyperion | # CDA67460 | Recorded: 2003, 2004

Hyperion’s Record of the Month for August by Polyphony and the Britten Sinfonia conducted by Stephen Layton portrays the ultimate dramatic event in history—the Crucifixion of Jesus Christ, expressed through the raw emotional power of one of Scotland’s most distinguished and vital composers, James MacMillan.
Stephen Layton, The Choir of Trinity College Cambridge - Gerald Finzi: Choral Works (2019)

Stephen Layton, The Choir of Trinity College Cambridge - Gerald Finzi: Choral Works (2019)
EAC | FLAC | Image (Cue & Log) ~ 289 Mb | Total time: 74:22 | Scans included
Classical | Label: Hyperion | # CDA68222 | Recorded: 2017, 2018

A cluster of choral miniatures culminating in one of Finzi’s most intense, visionary masterpieces: this is some of the most exquisite English choral writing of the last century.
Stephen Layton, The Choir of Trinity College, Academy of Ancient Music - Handel: Chandos Anthems Nos 5a, 6a, 8 (2013)

Stephen Layton, The Choir of Trinity College, Cambridge, Academy of Ancient Music - George Frideric Handel: Chandos Anthems Nos 5a, 6a & 8 (2013)
EAC | FLAC | Image (Cue & Log) ~ 367 Mb | Total time: 74:48 | Scans included
Classical | Label: Hyperion | # CDA67926 | Recorded: 2012

Handel’s beautiful, intimate settings of liturgical texts written for the First Duke of Chandos are among his less well-known choral works—and are proved by this second volume from Trinity also to be among his loveliest. They are a perfect example of the composer’s English style heard in Acis & Galatea and oratorios such as Judas Maccabaeus.
Stephen Layton, The Choir of Trinity College, Cambridge, Academy of Ancient Music - Handel: Dettingen Te Deum (2008)

Stephen Layton, The Choir of Trinity College, Cambridge, Academy of Ancient Music - George Frideric Handel: Dettingen Te Deum; Zadok the Priest; Organ Concerto No.14 (2008)
EAC | FLAC | Image (Cue & Log) ~ 270 Mb | Total time: 60:33 | Scans included
Classical | Label: Hyperion | # CDA67678 | Recorded: 2007

The Choir of Trinity College, Cambridge, is one of Britain’s great mixed choirs. Under its new director, the mercurial Stephen Layton, it has reached new heights of musical excellence in this latest disc for Hyperion. Accompanied throughout by the Academy of Ancient Music, the choir performs one of Handel’s most florid and dazzling works, the Dettingen Te Deum, which was written to celebrate King George II’s triumphal return from the Battle of Dettingen in 1743. As might be imagined, much of this work is thrillingly bellicose, but some highly cultivated writing shows the composer’s range, expressive versatility and imagination.
Trinity College Choir, Cambridge & Stephen Layton - Mäntyjärvi: Choral Music (2020) [Official Digital Download 24/192]

Trinity College Choir, Cambridge & Stephen Layton - Mäntyjärvi: Choral Music (2020)
FLAC (tracks) 24-bit/192 kHz | Front Cover & Digital Booklet | Time - 70:54 minutes | 2,67 GB
Classical, Sacred, Choral | Label: Hyperion Records, Official Digital Download

The stylistic pluralism which informs so much contemporary choral writing pays rich dividends in the work of Jaakko Mäntyjärvi—a thrilling programme of some exciting, accessible, contemporary music.
The Choir of Trinity College Cambridge & Stephen Layton - Anthems, Vol. 1 (2023) [Official Digital Download 24/96]

The Choir of Trinity College Cambridge & Stephen Layton - Anthems, Vol. 1 (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 78:48 minutes | 1,34 GB
Classical, Sacred, Choral | Label: Hyperion Records, Official Digital Download

Exciting accounts of eight anthems spanning nearly two hundred years, with a welcome emphasis firmly on recent works.
The Choir of Trinity College Cambridge & Stephen Layton - Antognini: Come to Me in the Silence of the Night (2023) [24/96]

The Choir of Trinity College Cambridge & Stephen Layton - Antognini: Come to Me in the Silence of the Night (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 65:54 minutes | 1,16 GB
Classical, Sacred, Choral | Label: Hyperion Records, Official Digital Download

Come to me (2019) was written for The Aeolians of Oakwood University, Alabama, conducted by Jason Max Ferdinand. The text is by one of the composer’s favourite poets, Christina Rossetti. Originally entitled Echo, this poignant poem concerns a person who has lost their beloved long ago and only through dreams is able to have an echo of what once was but never will be again. In his setting, the composer seeks to empathize with and to describe the feelings of the grieving protagonist.
The Choir of Trinity College Cambridge, Harrison Cole & Stephen Layton - Duruflé: Requiem; Poulenc: Lenten Motets (2024)

The Choir of Trinity College Cambridge, Harrison Cole & Stephen Layton - Duruflé: Requiem; Poulenc: Lenten Motets (2024)
WEB FLAC (tracks) - 198 Mb | MP3 CBR 320 kbps - 131 Mb | Digital booklet | 00:56:02
Classical, Sacred, Choral | Label: Hyperion Records

One of the twentieth century’s best-loved choral works, Duruflé’s Requiem—a magical synthesis of the old (plainsong) and the new (a harmonic language appropriate to its time and place)—continues to cast its potent spell over performers and listeners alike. This new recording from Stephen Layton and his Trinity forces fully deserves to be regarded as ‘definitive’.
The Choir of Trinity College Cambridge, Harrison Cole, Stephen Layton - Duruflé: Requiem; Poulenc: Lenten Motets (2024) [24/96]

The Choir of Trinity College Cambridge, Harrison Cole & Stephen Layton - Duruflé: Requiem; Poulenc: Lenten Motets (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 56:02 minutes | 923 MB
Classical, Sacred, Choral | Label: Hyperion Records, Official Digital Download

One of the twentieth century’s best-loved choral works, Duruflé’s Requiem—a magical synthesis of the old (plainsong) and the new (a harmonic language appropriate to its time and place)—continues to cast its potent spell over performers and listeners alike. This new recording from Stephen Layton and his Trinity forces fully deserves to be regarded as ‘definitive’.
Arvo Part - Triodion and Other Choral Works -  Polyphony & Stephen Layton (2003) {Hyperion SACD Hybrid SACDA67375}

Arvo Pärt - Triodion and Other Choral Works - Polyphony & Stephen Layton (2003) {Hyperion SACD Hybrid SACDA67375}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 266 Mb | MP3 @320 -> 187 Mb
Full Artwork @ 300 dpi (jpg) -> 22 Mb | 5% repair rar
© 2003 Hyperion | SACD Hybrid | SACDA67375
Classical / Contemporary Classical / Choral

A new release from Polyphony, with Stephen Layton at the helm, always brings with it an assurance of singing of the highest possible calibre. Bring together a choir of such quality and the composer responsible for some of the most beautiful, transcendent music ever written, and the resultant disc is surely what must be one of, if not the most spectacular releases of the year. New works from Arvo Pärt are invariably cherished, and this disc contains no fewer than five world premiere recordings—Dopo la vittoria, Nunc dimittis, Littlemore Tractus, My heart's in the Highlands and Salve regina. It was recorded in the presence of the enraptured composer earlier this year at the Temple Church, London. This is a disc of achingly lovely music at its most mesmeric—prepare to be stunned.