Hyperion’s Record of the Month for August by Polyphony and the Britten Sinfonia conducted by Stephen Layton portrays the ultimate dramatic event in history—the Crucifixion of Jesus Christ, expressed through the raw emotional power of one of Scotland’s most distinguished and vital composers, James MacMillan.
A cluster of choral miniatures culminating in one of Finzi’s most intense, visionary masterpieces: this is some of the most exquisite English choral writing of the last century.
Handel’s beautiful, intimate settings of liturgical texts written for the First Duke of Chandos are among his less well-known choral works—and are proved by this second volume from Trinity also to be among his loveliest. They are a perfect example of the composer’s English style heard in Acis & Galatea and oratorios such as Judas Maccabaeus.
The Choir of Trinity College, Cambridge, is one of Britain’s great mixed choirs. Under its new director, the mercurial Stephen Layton, it has reached new heights of musical excellence in this latest disc for Hyperion. Accompanied throughout by the Academy of Ancient Music, the choir performs one of Handel’s most florid and dazzling works, the Dettingen Te Deum, which was written to celebrate King George II’s triumphal return from the Battle of Dettingen in 1743. As might be imagined, much of this work is thrillingly bellicose, but some highly cultivated writing shows the composer’s range, expressive versatility and imagination.
One of the twentieth century’s best-loved choral works, Duruflé’s Requiem—a magical synthesis of the old (plainsong) and the new (a harmonic language appropriate to its time and place)—continues to cast its potent spell over performers and listeners alike. This new recording from Stephen Layton and his Trinity forces fully deserves to be regarded as ‘definitive’.
A new release from Polyphony, with Stephen Layton at the helm, always brings with it an assurance of singing of the highest possible calibre. Bring together a choir of such quality and the composer responsible for some of the most beautiful, transcendent music ever written, and the resultant disc is surely what must be one of, if not the most spectacular releases of the year. New works from Arvo Pärt are invariably cherished, and this disc contains no fewer than five world premiere recordings—Dopo la vittoria, Nunc dimittis, Littlemore Tractus, My heart's in the Highlands and Salve regina. It was recorded in the presence of the enraptured composer earlier this year at the Temple Church, London. This is a disc of achingly lovely music at its most mesmeric—prepare to be stunned.