Right from the stop-start bass groove that opens "The Emperor," it's immediately clear that Ethiopian Knights is more indebted to funk – not just funky jazz, but the straight-up James Brown/Sly Stone variety – than any previous Donald Byrd project. And, like a true funk band, Byrd and his group work the same driving, polyrhythmic grooves over and over, making rhythm the focal point of the music…
FIRST TIME ON COMPACT DISC. After being held for ransom by merciless record collectors for decades, the Holy Modal Rounders rarest album Good Taste Is Timeless can now breathe the sweet air of freedom! Rounders founders Peter Stampfel and Steve Weber the godfathers of anti-folk fire every cap pistol in their satchel for this clat-tering, jugband-on-acid classic, cut in Nashville in 1971 with guest artists Tracy Nelson (Mother Earth), D.J. Fontana, and pedal steel legend Pete Drake. Featuring the definitive version of Rounders gonzo ditty "Boobs A Lot," Good Taste Is Timeless now sports fascinating new liner notes by Stampfel, and remains the pinnacle of the Holy Modal Rounders art.
This Futura CD issue of vanguard trumpet legend Ted Curson with the Georges Arvanitas Trio in a Paris studio is one of those very special dates where everything seems to go right. Curson is in excellent form here, whether he is playing free improvisation as on "Latin Quarter," which opens the set and is a fiery 13-minute excursion into the outer reaches of free jazz, or turning in a slightly bent but nonetheless streaming hard bop performance as he odes on the next track, "Flip Top." The Arvanitas Trio, an under-celebrated band that backed virtually every major American musician in Paris proves how well it adapts to Curson's muscular style by responding with more muscle.
After establishing himself as a science fiction hero in Planet of the Apes, Charlton Heston went on to do a string of films in this vein. One of the most beloved of these films is The Omega Man, a post-apocalyptic adventure that featured Heston as a scientist battling a vengeful group of mutants as he searched for fellow survivors in the ruins of Los Angeles. One of the most distinctive elements of the film was its score, which was composed by sci-fi vet Ron Grainer (The Prisoner, Dr. Who) and combined traditional orchestral film score elements with strong elements of pop and light jazz. A great example of this style is the film's main theme, "The Omega Man": its first part layers lush strings and gently jazzy horns over a pop-inflected rhythm section and its second part allows a mournful, jazzy trumpet solo to take the fore over a backdrop of acoustic guitar and spacey electronic keyboards. The score also features a preponderance of exciting action cues, like "On the Tumbril" and "Surprise Party," which combine the regal horn arrangements of traditional film music with spacey synths and exciting rock-style drumming. Elsewhere, Grainer shows a gift for crafting easy listening-style melodies on lighter cuts like "Bad Medicine for Richie," which mixes a string-sweetened melody with acoustic guitar and a subtle rhythm section.
A mad mix of Latin and funky rhythms – a 70s classic from the Belgian group Chakachas! The album's best known for its title hit "Jungle Fever" – an insane cut that features heavy drums, choppy guitar, and a stop/start action that's peppered with sounds of female pleasure! The track was a worldwide hit, and continues to be a funky classic today – thanks to a heavy sample history, and a life in playlists worldwide – but the rest of the album's pretty darn great too, and even weirder. Some tracks mix easy Euro grooving with heavy conga, others have kind of an LA Chicano funk approach, and still others throw in some mad horns to complicate matters with nice jazzy riffing. Really great throughout – and maybe one of the best funky albums to ever come out on a major label!
Beauregarde (off-stage name Larry Pitchford,[1] born April 1936) is a former pro wrestler and musician from Portland, Oregon in the United States… ~ wiki