Grammy-winning soprano Renee Fleming announces her new album Broadway which celebrates musical theatre and features a diverse array of great songs for the stage by composers including Stephen Sondheim, Andrew Lloyd Webber, Pasek & Paul, and Rogers & Hammerstein, as well as a special guest duet with the Hamilton, television and film star, Leslie Odom, Jr. Fleming made her Broadway musical debut as Nettie Fowler in the hit new production of Rodgers & Hammersteins beloved Carousel, and she received glowing reviews and a Tony nomination.
This 60th Anniversary 60-CD Deluxe Edition celebrates RCA Victor's signing of Elvis Presley-The King of rock 'n' roll. Features all of the albums Elvis recorded and RCA released in his lifetime: studio, soundtrack, and live. It also includes compilations released that featured unreleased songs or songs new to the LP format.
Even though Macbeth is the title character of Verdi's opera, most people will choose a recording of it based on the performer of the role of Lady Macbeth. My own opinion is that Elena Souliotis is, more than any other singer I have heard in this music, just right for the part.Verdi clearly stated that he wanted a harsh, choked sound from his Lady Macbeth.
Sarah Vaughan recorded frequently during her three years with Roulette, and all 16 albums she completed for them plus five previously unissued tracks are included in this comprehensive eight-CD boxed set from Mosaic. The gifted singer is heard in a variety of settings, from superb small-group sessions to big-band settings and various dates bordering on easy listening; the sessions omitting the often syrupy string sections are the cream of this bumper crop.
Steppenwolf is a Canadian-American rock band, prominent from 1968 to 1972. The group was formed in late 1967 in Los Angeles by lead singer John Kay, keyboardist Goldy McJohn, and drummer Jerry Edmonton (all formerly in Canadian band The Sparrows). Guitarist Michael Monarch and bass guitarist Rushton Moreve were recruited by notices placed in Los Angeles-area record and musical instrument stores…
The Les Humphries Singers was a 1970s musical group formed in Hamburg, Germany in 1969[1] by the English-born Les Humphries (born John Leslie Humphreys, 10 August 1940, in Croydon, Surrey, England - died 26 December 2007, in Basingstoke, Hampshire, England)…
This set of Annie Fischer’s complete EMI recordings represent her during a particular decade, when she had made her European reputation. These recordings helped spread that reputation and increased her prominence among pianists. As studio recordings, they form an unusual part of Fischer’s legacy – during most of her time as a performer, she avoided recording studios as she did not believe in playing in a studio without the presence of an audience. She shared this view with her eminent colleague Sviatoslav Richter, who said of her, ‘Annie Fischer is a great artist, imbued with a spirit of greatness and genuine profundity.
Way-kool 8th studio disc by Blindstone, a mega-awesome heavy guitar rock power trio from Denmark who dig in deep and pay serious musical homage on their outstanding "Tribute To The Blues" disc entitled "Blues-O-Delic Celebration". Includes 13 tracks (58 Mins) of excellent, powerful, bad-ass, Blindstone-ized, riffage, mojo & grooves that rock the house down and shine a bright light on their blues/rock musical roots. The "Blues-O-Delic Celebration" disc features a blistering set of way-kool "cover songs" by the following musical blues artists: The Three Kings: BB + Freddie + Albert, ZZ Top, Leslie West, Rocky Hill, Guitar Shorty, The Gales Brothers, Shuggie Otis, Peter Green and Jimi Hendrix. Many of the tracks are obscure and unknown, all landing rock solid killer and make for a truly excellent musical power trio "Blues-O-Delic Celebration".
Most famed for their 1964 one-shot British Invasion hit "Have I the Right" and for being the first rock band of any renown to feature a female drummer, the Honeycombs recorded a surprising amount of material in the mid-'60s. Even for collectors, this definitely falls into the "guilty pleasure" category. Lead singer Dennis O'Dell's wobbly voice sounds like a speeded-up Gene Pitney, and the material, though peppy and catchy, is exceedingly trite and innocuous. The group's chief asset, actually, was producer Joe Meek, who found the band to be a perfect vehicle for his eccentric production techniques.