This set combines five of Linda Ronstadt's albums for Asylum Records released between 1975 and 1980 and all produced by Peter Asher, 1975's Prisoner in Disguise, 1976's Hasten Down the Wind, 1977's Simple Dreams, 1978's Living in the U.S.A., and 1980's Mad Love, which means one gets Ronstadt's fine versions of Neil Young's "Love Is a Rose," Buddy Holly's "That'll Be the Day," Roy Orbison's "Blue Bayou," and many other covers done while she was at the peak of her radio success…
Winter Light could arguably be classified as Linda Ronstadt's best pop album of the 1990s. She followed up 1989's hugely successful Cry Like a Rainstorm, Howl Like the Wind with two Spanish language albums (Mas Canciones and Frenesi), then returned with the beautiful light-pop collection that is Winter Light. This set finds Ronstadt interpreting such classics as the Bacharach/David compositions "Anyone Who Had a Heart" and "I Just Don't Know What to Do With Myself" with enough torchy bravado to make them her own. Her cover of the Beach Boys' "Don't Talk (Put Your Head on My Shoulder)" is an ethereal, gorgeous, and breathy interpretation, and other covers, such as "Oh No, Not My Baby" and "It's Too Soon to Know" shine just as brightly. In fact, there is not a single dud on this impeccably produced album, which, in fact, gets better and better with each listening.
Greatest Hits, Volume 2 is a hits compilation album from American singer/songwriter/producer Linda Ronstadt. It was released in 1980 on Asylum Records. The disc covers mostly Ronstadt's heavier rocking singles The album has sold close to two million copies in the United States alone and was Ronstadt's eighth consecutive Platinum certified album.
Following the same formula as her early records, Heart Like a Wheel doesn't appear to be a great breakthrough on the surface. However, Ronstadt comes into her own on this mix of oldies and contemporary classics…
Greatest Hits was Linda Ronstadt's first major compilation album, released at the end of 1976 for the holiday shopping season. It included material from both her Capitol Records and Asylum Records output, and went back to 1967 for The Stone Poneys' hit "Different Drum".
Following the same formula as her early records, Heart Like a Wheel doesn't appear to be a great breakthrough on the surface.