Local Ana

Daniel (Roberto Enríquez), Ana (Natalia Millán), and their little boy, Manuel (Kevin Almodóvar), travel from Madrid to a resort on the Costa Brava for the summer. Ana runs into Marta (Irene Montalà of L'Auberge Espagnole), a local shopgirl whom she's met on previous visits. Marta introduces Ana to her cousin, Robert (David Selvas), who runs an antique shop. Robert is immediately attracted to Ana. Marta tells him that Ana is happily married, and confesses that she has a crush on Ana's husband, Daniel. Robert, intrigued, makes a pact with Marta. Robert will help Marta seduce Daniel if she will help Robert seduce Ana. One night, the cousins cunningly arrange to separate the couple, and some serious flirtation ensues. While Marta, casually dates a local surfer, Tomás (Roger Casamajor), begins to have second thoughts, Robert grows more obsessed with the couple. He befriends Daniel and peppers him with questions about the strength of his nine-year marriage. Robert also asks if Daniel is attracted to Marta. "Fidelity's another word for laziness," he tells Daniel. He visits Ana and surprises her with a goodbye kiss. As the summer wears on, his machinations begin to have an effect on the couple's stability.

Christian and Ana decide to rekindle their relationship, except this time there are no more rules or punishments. As they begin to get used to their newfound relationship, Christian's past begins to haunt Ana as Christian struggles with his innermost thoughts.

Widely regarded as a masterpiece of Spanish cinema, this allegorical tale is set in a remote village in the 1940s. The life in the village is calm and uneventful – an allegory of Spanish life after General Franco's victory in the Spanish Civil War. While their father (Fernando Fernán Gómez) studies bees in his beehive and their mother (Teresa Gimpera) writes letters to a non-existent correspondent, two young girls, Ana (Ana Torrent) and Isabel (Isabel Telleria), go to see James Whale's Frankenstein at a local cinema. Though they can hardly understand the concept, both girls are deeply impressed with the moment when a little girl gives a flower to the monster. Isabel, the older sister, tells Ana that the monster actually exists as a spirit that you can't see unless you know how to approach him. Ana starts wandering around the countryside in search of the kind creature. The film received critical accolades for its subtle and masterful use of cinematic language and the expressive performance of the young Ana Torrent.

Widely regarded as a masterpiece of Spanish cinema, this allegorical tale is set in a remote village in the 1940s. The life in the village is calm and uneventful – an allegory of Spanish life after General Franco's victory in the Spanish Civil War. While their father (Fernando Fernán Gómez) studies bees in his beehive and their mother (Teresa Gimpera) writes letters to a non-existent correspondent, two young girls, Ana (Ana Torrent) and Isabel (Isabel Telleria), go to see James Whale's Frankenstein at a local cinema. Though they can hardly understand the concept, both girls are deeply impressed with the moment when a little girl gives a flower to the monster. Isabel, the older sister, tells Ana that the monster actually exists as a spirit that you can't see unless you know how to approach him. Ana starts wandering around the countryside in search of the kind creature.

The incredible true story of Ana Montes, the most damaging female spy in US history, drawing upon never-before-seen material and to be published upon her release from prison, for readers of Agent Sonya and A Woman of No Importance.

The 170 revised full papers presented were carefully reviewed and selected from 557 submissions. The papers are organized in topical sections on learning and information processing, data mining, retrieval and management, bioinformatics and bio-inspired models, agents and hybrid systems, financial engineering, as well as a special session on nature-inspired date technologies.