Local Ana

Esordio alla regia del paraguayano Marcelo Martinessi, Le Ereditiere è la storia di due donne sulla sessantina, Chela (Ana Brun) e Chiquita (Margarita Irun), entrambe discendenti della borghesia coloniale decaduta di Asunción. Dopo essere state insieme per trent'anni, devono separarsi a causa di una deleteria situazione finanziaria.

The 70 revised full papers presented were carefully reviewed and selected from 145 submissions. The papers feature current research on mathematical methods and computing techniques for pattern recognition, computer vision, image analysis, and speech recognition, as well as their applications in such diverse areas as robotics, industry, health, entertainment, space exploration, telecommunications, data mining, document analysis, and natural language processing and recognition to name only few of them.

Juan flees Madrid and an incestuous relationship with his sister, Ana, working at a mine on the Andalucian coast. When his friendship with Rosario, a local shop girl, becomes romance, Ana shows up wanting to rekindle their affair. He resists at first, but she stays, asserting that Juan is the only man she can ever love. Juan distances himself from Rosario. The mine has problems: high cancer rates in the area caused by poorly stored radioactive waste. A foreign safety engineer, Petersen, tries to connect with Ana, is rebuffed, but lets her stay in his sea-front bungalow. Juan seeks her out to demand she leave, only to argue with Petersen. Death, desire, and longing play out.

A techno-pop band from Spain, Mecano were formed in the early '80s by brothers Nacho and José María Cano, who were joined by singer Ana Torroja. While the Spanish new wave, known as Movida Madrileña, was at its highest level of popularity, Mecano burst into the local scene with "Hoy No Me Puedo Levantar," a single released by CBS in 1981. They issued "Perdido en Mi Habitación" that same year. Mecano's debut album was presented live at Madrid's Palace Hotel in March of 1982. Soon after, the band started touring the country, with Javier de Juan playing drums and Manolo Aguilar on bass. In 1983, Nacho Cano began composing for other acts, starting with Rubin's "Me He Enamorado de un Fan," also producing a band named Betty Troupe and working with La Unión. Later, José María Cano started songwriting for local stars such as Ana Belén and Massiel.