Lost Bubbles

One couldn't imagine a better opening number for the radio program The Doris Day Show than "It's Magic," for each week between March 1952 and May 1953, the versatile song stylist and beloved motion picture star cast a spell over listeners worldwide with an intimate gathering of famous friends filled with music and laughter. Over the course of five dozen broadcasts of The Doris Day Show–recorded in Hollywood in front of a live audience and happily preserved on 16-inch transcription discs–Doris joined her special guests at the piano for performances of songs she often had never commercially recorded. This is a largely unknown and scarcely documented facet of Doris' career, and Day Time on the Radio brings to light no less than 32 rarities including 27 duets and five solo performances. Among her notable foils are frequent leading man Gordon MacRae, who starred in five pictures with Doris; here the two of them sing a total of four duets, highlighted by their medley of "Cuddle Up a Little Closer"/"Till We Meet Again."

One couldn't imagine a better opening number for the radio program The Doris Day Show than "It's Magic," for each week between March 1952 and May 1953, the versatile song stylist and beloved motion picture star cast a spell over listeners worldwide with an intimate gathering of famous friends filled with music and laughter. Over the course of five dozen broadcasts of The Doris Day Show–recorded in Hollywood in front of a live audience and happily preserved on 16-inch transcription discs–Doris joined her special guests at the piano for performances of songs she often had never commercially recorded. This is a largely unknown and scarcely documented facet of Doris' career, and Day Time on the Radio brings to light no less than 32 rarities including 27 duets and five solo performances. Among her notable foils are frequent leading man Gordon MacRae, who starred in five pictures with Doris; here the two of them sing a total of four duets, highlighted by their medley of "Cuddle Up a Little Closer"/"Till We Meet Again."

Bruce Broughton's dynamic action-filled soundtrack for Stephen Hopkin's big-screen treatment of classic Irwin Allen 60's TV series gets deluxe expanded 2-CD release! Famed space family Robinson comes vividly alive courtesy William Hurt as John, Mimi Rogers as Maureen, Heather Graham as Judy, Jack Johnson as Will, Matt LeBlanc as Don, Gary Oldman as Dr. Smith. Involved, darker and more serious story than TV series offered inspired Broughton to create massive, full-blooded symphonic score with one foot in robust action mode, one foot in intense drama mode. Main theme, heard nobly on solo horn at outset of "Main Title", takes off in full throttle fashion for initial launch of Jupiter II.

One couldn’t imagine a better opening number for the radio program The Doris Day Show than “It’s Magic,” for each week between March 1952 and May 1953, the versatile song stylist and beloved motion picture star cast a spell over listeners worldwide with an intimate gathering of famous friends filled with music and laughter. Over the course of five dozen broadcasts of The Doris Day Show recorded in Hollywood in front of a live audience and happily preserved on 16-inch transcription discs Doris joined her special guests at the piano for performances of songs she often had never commercially recorded.

Still in the Woods - that's indie jazz. As relaxed as it is profound. As danceable as emotionally moving. As delicate and complex as energetic and captivating.

We live in an age of serial asset bubbles and spectacular busts. Economists, policymakers, central bankers and most people in the financial world have been blindsided by these busts, while investors have lost trillions. Economists argue that bubbles can only be spotted after they burst and that market moves are unpredictable.