lp Time Records Full Artwork

The Band - Live At The Academy Of Music 1971 (2013) {4CD & DVD-A/V Capitol Records, UMe 0602537375271} (Complete Artwork)

The Band - Live At The Academy Of Music 1971 (2013) {4CD & DVD-A/V Capitol Records, UMe 0602537375271} (Complete Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.66 Mb | MP3 @320 -> 613 Mb
DVD5 A/V -> 3.83 Gb | All Regions | NTSC 16:9 | Dolby AC3, 6 ch / Dolby AC3, 2 ch | ~ 112 min | ISO Image
Full Artwork @ 600 dpi (jpg) -> 76 Mb | 5% repair rar
© 1971, 2013 Capitol Records / UMe | 0602537375271
Rock / Americana / Roots Rock / Country Rock

During the final week of 1971, The Band played four legendary concerts at New York City's Academy Of Music, ushering in the New Year with electrifying performances, including new horn arrangements by Allen Toussaint and a surprise guest appearance by Bob Dylan for a New Year's Eve encore. Select highlights from the concerts were compiled for The Band's classic 1972 double LP, Rock Of Ages, which peaked at No. 6 on the Billboard 200 and remains a core album in the trailblazing group's storied Capitol Records catalog.
B.B. King - Singin' The Blues (1957) {2005 Remastered & Expanded, Crown--Ace Records CDCHM1041}

B.B. King - Singin' The Blues (1957) {2005 Remastered & Expanded, Crown–Ace Records CDCHM1041}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 199 Mb | MP3 @320 -> 126 Mb
Full Artwork @ 300 dpi (png) -> 24 Mb | 5% repair rar
© 1957, 2005 Crown Records | Ace Records | CDCHM 1041
Blues / Modern Electric Blues / Soul-Blues / Memphis Blues

Step forward the eighth set in Ace's mid-price series of vintage B.B. King recordings based on his albums released on the Crown label. Between 1957 and 1963, the Bihari brothers' dime store label released 12 albums, comprised of singles from their RPM and Kent labels, tracks from the vaults, plus dedicated album sessions. Despite the "cheap and cheerful" production values, the B.B. King Crown albums became collectors' items due to the high quality of B.B.'s recordings and the eye-catching artwork. The LPs were a discographical headache until Ace was able to unravel the details.
Jimmy Giuffre, Jim Hall Trio - Complete Studio Recordings, 1956-1959 (2008) {4CD Set Gambit Records 69300}

Jimmy Giuffre, Jim Hall Trio - Complete Studio Recordings, 1956-1959 (2008) {4CD Set Gambit Records 69300}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.40 Gb | MP3 @320 -> 723 Mb
Full Artwork @ 300 dpi (jpg) -> 49 Mb | 5% repair rar
© 1956-59, 2008 Gambit Records | 69300
Jazz / Cool / Saxophone / Guitar

Jimmy Giuffre may not have gotten his due with American audiences outside very specific kinds of jazz circles, but he was loved and respected by other musicians and the audiences of Europe and Asia. His reputation among those groups of listeners and players is well deserved for the radical, if quiet and unassuming path he walked throughout his seven-decade career. These sides, recorded between 1956 and 1959 with guitarist Jim Hall, his most symbiotic collaborator and foil, are at the heart of his reputation as a pioneer – even more so than his killer early-'60s sides (à la Free Fall) with Paul Bley and Steve Swallow.
Russell Mills & Undark - 2 Albums: Strange Familiar (1996) / Pearl + Umbra (2000) [2CD] {Instinct Records} (ft. David Sylvian)

Russell Mills & Undark - 2 Albums: Strange Familiar (1996) / Pearl + Umbra (2000) [2CD] {Instinct Records} (ft. David Sylvian)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 656 Mb | MP3 @320 -> 318 Mb
Full Artwork @ 300 dpi (png) -> 69 Mb
© 2000 Instinct Records | INS-526-2 / INS-501-2
Electronic / Ambient Techno

In 1996, art-design maestro Russell Mills assembled the tremendously impressive Undark collective – both Brian and Roger Eno, David Sylvian, Bill Laswell, the Edge, Kevin Shields, Robin Guthrie, Hywel Davies, etc. – for an LP of guitar-damaged beatscapes and textured invisible-soundtracks. Strange Familiar is an astonishing work, ebbing and flowing better than any other album in recent memory. Mills and his crew don't always wait for the next track marker to introduce a new theme, resulting in a work that pays huge dividends over the course of a full listen.
Speed, Glue & Shinki - Eve (1971) {2011 Phoenix Records Limited Digi Gate Fold LP replica ASHCD3026}

Speed, Glue & Shinki - Eve (1971) {2011 Phoenix Records Limited Digi Gate Fold LP replica ASHCD3026}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 213 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (jpg) -> 39 Mb | 5% repair rar
© 1971, 2011 Phoenix Records | ASHCD3026
Rock / Psychedelic Rock / Blues Rock / Hard Rock / Acid Rock

2011 limited edition LP replica release by Phoenix Records. Classic wasted stoner rock from 1971. Joint 1st in Julian Cope’s Top 50 Japanese album chart (along with Flower Traveling Band’s Satori). Speed, Glue & Shinki's landmark debut album, 1971's Eve, is one of the greatest contradictions of its time (maybe all time): a primitive, deranged, and at times downright sloppy mutation of acid blues and proto-metal, akin to the Bloomfield/Kooper/Stills Super Session crashing headlong into earliest Zeppelin and Sabbath records, as performed by musicians whose instrumental chops were actually beyond reproach…but you'd never be able to tell from this!

Kris and Jerry - A Sunny Day (1966) {Vinyl B-J Records LP 170}  Music

Posted by ruskaval at Oct. 8, 2018
Kris and Jerry - A Sunny Day (1966) {Vinyl B-J Records LP 170}

Kris and Jerry - A Sunny Day (1966) {Vinyl B-J Records LP 170}
FLAC (tracks) - 16bit/48kHz - VINYL RIP -> 228 Mb | MP3 @320 -> 81 Mb
Full Artwork @ 600 dpi (jpg) -> 37 Mb | 5% repair rar
© 1966 B-J Records | LP 170
Folk Rock / Lightweight Pop / Jazzy Tunes

We're at that season when, imperceptibly, autumn may slip away. As the days shorten and become more cloudy, windy and cold, the richness of this time of year will vanish, the landscape shedding its autumnal tones to reveal those of winter. With its generic fall foliage cover, the vanity release from Kris and Jerry captures these fleeting moments of beauty, when the leaves are turning to gold among a palette of vibrant yellow, russet and remaining green. Here is A Sunny Day, without the harsh glare of summer. Gentle breezes have escorted many leaves to the ground with the last warming rays. The low sun still retains radiance enough to brush the wooded peaks with brilliant light and the air is carrying with it ripe fragrances that tease the senses.
Azteca - 2 Albums Collection (1972-73) [2CD] {2012 Japan Mini LP Blu-spec CD}

Azteca - 2 Albums Collection (1972-73) [2CD] {2012 Japan Mini LP Blu-spec CD}
EAC rip (secure mode) | FLAC(image)+CUE+LOG -> 626 Mb | MP3 @320 -> 201 Mb
Full Artwork @ 600 dpi (png) -> 397 Mb | 2012 Remaster
© 2012 Columbia / Sony Music Japan | SICP-20414~15
Rock / Jazz / Fusion / Latin Rock

Cardboard sleeve (mini LP) reissue from Azteca featuring the high-fidelity Blu-spec CD format (compatible with standard CD players) and the latest remastering. Comes with an obi reprint, a new description, and lyrics. Part of a two-album Azteca Blu-spec CD cardboard sleeve reissue series featuring albums "Azteca" and "Pyramid Of The Moon."
Buddy & Ella Johnson - 1953-1964 (1992) {4CD Box Set, Bear Family Records BCD 15479 DH}

Buddy & Ella Johnson - 1953-1964 (1992) {4CD Box Set, Bear Family Records BCD 15479 DH}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.42 Gb | MP3 @320 -> 658 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb | 5% repair rar
© 1953-64, 1992 Bear Family Records | BCD 15479 DH
Rhythm & Blues / Rock & Roll / Jazz / Swing / Blues / Early R&B / Jump Blues

Four discs (104 tracks in all) that exhaustively document the Mercury, Roulette, and Old Town output of big-band veteran Buddy Johnson, whose eternally swinging outfit was seductively fronted by his sister Ella (along with several interchangeable male crooners). Buddy's band wasn't as big as it once was during his Mercury tenure (tenor saxman Purvis Henson was at the core of the blazing horn section), but the tightly arranged New York-style sizzle remained.
The Litter - $100 Fine (1968) {Arf! Arf! Records AA-078 rel 1999}

The Litter - $100 Fine (1968) {Arf! Arf! Records AA-078 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 384 Mb | MP3 @320 -> 171 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1965-68, 1999 Arf! Arf! Records | AA-078
Rock / Garage Rock / Hard Rock / Psychedelic Rock

From Minneapolis, the Litter were one of the finest bands to emerge from the Midwest garage scene. Their debut lp, "Distortions," is considered a classic of the garage/psychedelic movement, with their gloriously fuzzed drenched takes of classics by the Who, Spencer Davis, the Small Faces, and Yardbirds, to name a few. The results gained the Litter exposure, and gave them the confidence to go back to the studio to work on their sophomore effort.
Giorgio Gaslini & Giovanni Fusco - Antonioni, Suoni Del Silenzio (2015) {4CD Set, Quartet Records QR192 rec 1960-1964}

Giorgio Gaslini & Giovanni Fusco - Antonioni, Suoni Del Silenzio (2015) {4CD Set, Quartet Records QR192 rec 1960-1964}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.04 Gb | MP3 @320 -> 564 Mb
Full Artwork @ 600 dpi (png) -> 1.21 Gb | 5% repair rar
© 1960-64, 2015 Creazioni Artistiche Musicali / Quartet Records | QR192
Jazz / Classical / Soundtrack / Easy Listening / Modern / Neoclassical / Stage & Screen

Quartet Records, Gruppo Sugar and Cinevox are proud to present an exclusive four disc box set featuring music from the classics films of Michelangelo Antonioni – featuring music by Giovanni Fusco (L’avventura, L’eclisse, Il deserto rosso) and Giorgio Gaslini (La notte). Antonioni: Suoni del Silenzio includes four CDs for four films from the director’s early Italian masterpieces commonly referred to as the “Lack of Communication Cinema.” The series begins with L’avventura, the harrowing tale about a missing woman whose disappearance leads to a new and conflicted romance between her man and her best friend. The music by Giovanni Fusco is a spirited reflection upon the Southern Italian setting, including the breathtaking final shot at Taormina. The collection includes all the original music used in the film, plus several previously unreleased alternate takes.