Recently remastered and released on CD for the 1st time on the Pressure Sounds label. Very rare LP. Although Reggae in Jazz was attributed to Tommy McCook when it was originally released as an LP in 1976 on Dennis Harris' Eve Records imprint, it was never truly a McCook album. A tenor saxophone player, McCook was a pivotal member of Jamaica's legendary Skatalites in the mid-'60s, a band that, although they were together for only 14 months, completely defined the instrumental template for ska, mixing in big-band jazz sensibilities with Latin and samba rhythms and buru drumming to create the first of Jamaica's many distinct pop styles.
This is one of the best all-round sets by the Buddy Rich big band. The original Rich in London RCA LP, which contains nine selections, is augmented by four additional numbers from the same dates that were originally issued on a British RCA LP. The Rich orchestra at the time featured the great Pat La Barbera on tenor and soprano, trombonist Bruce Paulson, and lead trumpeter Lin Biviano along with many lesser-known but talented soloists.
Remastered for the first time using the original two-track analog tapes, this brand new 4-CD set celebrates the vintage years of CTI, when a distinctive style and sound were born. Over 5 hours of music showcase all the major artists on the CTI roster, both in solo performances and in the unforgettable collaborations that made each CTI album so distinctive. Includes a lavishly illustrated 20-page, LP-sized booklet containing rare photos, plus new liner notes by noted jazz critic Dan Ouellette with comments by CTI artists and enthusiasts.
Cardboard sleeve (mini LP) reissue from Gregg Allman featuring the high quality SHM-CD format, the latest remastering, and Cardboard sleeve replica of the original English LP artwork. Gregg Allman's tour in support of his debut solo LP, Laid Back, led to the recording of this album (originally two LPs) at Carnegie Hall in New York and the Capitol Theatre in Passaic, NJ. It's a match for Laid Back in musical value and then some, with a good, wide range of repertory and great performances throughout by all concerned, plunging head-first and deep into blues, R&B, honky tonk, and gospel. Strangely enough, the album contains only three of Laid Back's songs – "Don't Mess Up a Good Thing" opens the show in a properly spirited, earthy manner, but it's the second song, "Queen of Hearts," in a soaring rendition, with gorgeous backing by Annie Sutton, Erin Dickins, and Lynn Rubin, and superb sax work by Randall Bramblett and David Brown, that shows Allman in his glory as a singer and bandleader.
The great bluesman B.B. King, who died in 2015, was one of the few artists whose every note was of interest. This 25-track CD of mostly previously unissued recordings are drawn from his sessions for Modern Records between 1954 and 1962. Be Careful Baby is a rare thing a B.B. King song that has never been released before in any version, while two tracks appeared on Ace's 2014 RPM compilation Speak Easy. The version of Catfish Blues is from a completely different session to the familiar issued version and from B.B.'s commentary appears to be the version he played on the road. There are many comments from B.B. and the band which provide an insight into the recording process and B.B.'s relaxed and informal manner in the studio. The CD ends with a previous unheard interview, recorded backstage at the Fillmore Ballroom in San Francisco with radio station KSAY at the 10/10 spot on your dial. All tracks are from the original master tapes.
The original rockabilly wildman, Johnny Burnette led the seminal Rock 'n' Roll Trio, which slightly predated Elvis Presley. Their raw, unfettered sound inspired several generations of rockers, and the best of their output is featured in this collection, along with a generous helping of material from Burnette's later (1957-1960) solo recordings. While some of the solo sides bear a bit more of a pop sensibility, there's always plenty of rock-&-roll abandon in Burnette's delivery, and the driving force of the Trio tracks is still a wonder to behold. Hardcore Burnette fans will be particularly impressed by the inclusion of 11 rare demo recordings, further illuminating the too-short story of Burnette, who died by drowning in 1964 at the age of 30.
This set was also issued as two separate LPs under John Surman’s name, Vogue VJD 505/1 and VJD 505/2. Rare bit of free jazz by this trio of British players from the early 70′s. The music is very intense, without any of the noodling that sometimes ruins Brit sessions from the time. Surman plays baritone, soprano, and bass clarinet, and he really blows like mad in some passages. The sound quality of this album is stunning! In the autumn of 1969, John Surman decided to make a break and joined forces with Barre Phillips and Stu Martin, to form a group they called The Trio. Phillips had a varied background, having worked as a sideman with Archie Shepp, Jimmy Giuffre and George Russell, as well as performing solo in Leonard Bernstein and the New York Philharmonic.
It was always going to be a dangerous mission. Trevor Churchill’s brainchild, THE GOLDEN AGE OF AMERICAN POP, had been in development for some time and the prototype was about to be launched into the fray with a bundle of seemingly undifferentiated repertoire. The potential embarrassment factor was high with risk of heavy flak on the way and snipers on the ground in the landing zone. Trevor was calling for volunteers. There was a lot of nervous shuffling among the ranks. Some of the lads took to studying their toecaps, while others took an inordinate interest in the state of their cuticles, or tried to look inconspicuous by melting into the background.
Best known as a stellar songwriter (Tobacco Road, Indian eservation, This Little Bird, Break My Mind etc etc, ad infinitum!!!) John D. Loudermilk was also an accomplished, inspiring singer-songwriter before the term even existed. The Open Mind of John D. Loudermilk is his 1969 psychedelic Nashville opus! Sitars blaze and otherworldly voices rail on the opening cut Goin' To Hell On A Sled, but this is no mere wigged-out cash-in record. With a palette ranging from the gentle organ tones of Laura, to the striking relevance of The Jones' and Peace of Heart, few records of such wit, compassion and intelligence have ever been committed to tape.