Lucky Thompson Pettiford

Milt Jackson - Ballads & Blues (1956) {2012 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 215 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 300 dpi (jpg) -> 24 Mb | 5% repair rar | 24-bit remaster
© 2012 Atlantic / Warner Japan / Rhino | WPCR-27018 | Jazz Best Collection 1000 Series
Jazz / Bop / Hard Bop / Vibes

Features 24 bit digital remastering. Comes with a mini description. Ballads & Blues is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1956 and released on the Atlantic label. The unassuming title of this compilation understates the fact that Milt Jackson is a master of ballad and blues forms, and an inspired collaborator when working flautists.

Stunning 100 CD set containing a plethora of classic Bebop Jazz. Bebop marked the beginning of Modern Jazz, a musical and technical revolution and the first example of Jazz as an art. New harmonic structures coupled with improvising at a fast tempo together with hip outfits.

Clark Terry - Clark Terry - EmArcy MG 36007 (1955) {Verve Elite Edition 314 537 754-2 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 157 Mb | MP3 @320 -> 114 Mb
Full Artwork @ 300 dpi (jpg) -> 56 Mb | 5% repair rar
© 1955, 1997 EmArcy / Verve / PolyGram | 314 537 754-2
Jazz / Bop / Trumpet

Aside from a three-song session for V-Disc during the late 1940s, this CD contains Clark Terry's first recordings as a leader. Already an alumni of both Charlie Barnet's and Count Basie's bands, and a then-current member of Duke Ellington's orchestra, Terry is more focused on bop in these dates, with a terrific band including trombonist Jimmy Cleveland, baritone saxophonist Cecil Payne, pianist Horace Silver, cellist/bassist Oscar Pettiford, bassist Wendell Marshall, and drummer Art Blakey, with charts by Quincy Jones.

This superior reissue combines together two sessions led by vibraphonist Milt Jackson. Actually, although Bags is in fine form (and contributed four of the seven selections), he is often overshadowed by rather inspired solos from his sidemen. The first side of Plenty, Plenty Soul, which features a nine-piece group, is highlighted by the contributions of the exuberant altoist Cannonball Adderley, while the flip side has a sextet that is not hurt by the solos of tenor-saxophonist Lucky Thompson. With pianist Horace Silver helping out on both sessions, these all-star dates still sound fresh and enthusiastic decades later. ~ AllMusic

This superior reissue combines together two sessions led by vibraphonist Milt Jackson. Actually, although Bags is in fine form (and contributed four of the seven selections), he is often overshadowed by rather inspired solos from his sidemen. The first side of Plenty, Plenty Soul, which features a nine-piece group, is highlighted by the contributions of the exuberant altoist Cannonball Adderley, while the flip side has a sextet that is not hurt by the solos of tenor-saxophonist Lucky Thompson. With pianist Horace Silver helping out on both sessions, these all-star dates still sound fresh and enthusiastic decades later.