A Studio Chronicle 1940-1948 is a five-disc box set from the British label JSP detailing what producer Ted Kendall considers to be the essential studio recordings of saxophonist Charlie Parker. Included here are not only the innovative bebop sides that made Parker a living legend, but also the early Kansas City swing recordings he appeared on while playing with the Jay McShann Orchestra. ~ AllMusic
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
Avid Jazz here presents four classic Milt Jackson albums, including original LP liner notes on a finely re-mastered double CD.
‘The Jazz Skyline’, ‘Milt Jackson Quartet’, ‘Telefunken Blues’, ‘Plenty Plenty Soul’ plus three tracks with the Thelonious Monk Quartet. ‘The Jazz Skyline’ finds Milt in 1957 in a relaxing blowing session, perhaps a thousand miles away from the more structured and complex music he was making with his other ‘day’ band, John Lewis and The Modern Jazz Quartet. For the ‘Quartet’ sessions two years earlier in 1955 Jackson is joined by Horace Silver, Percy Heath and Connie Kay in a set comprising mostly standard material, but none the less intriguing for that…
I really enjoy this cd. Sharon is known for his arrangements usually with strings for many vocalists (from Cole to Nancy Wilson, Whiting to Bennett) So I was surprised to hear his septet which sounds like any West Coast combo with Jack Sheldon, Shorty, Shelly, and Florence among others. The tunes are nice; each very different from each other with subtle colors. I passed over it twice until I realized the label FRESH SOUND imports never disappoint me.
Charlie Parker's historic Dial sessions have been reissued in a variety of ways over the years. This is especially true since the advent of the compact disc. These sessions not only capture Parker's alto brillance but highlight his interaction with such jazz stalwarts as Dizzy Gillespie, Miles Davis, Duke Jordan, Max Roach, Erroll Garner, Howard McGhee and Dodo Marmarosa. This four-disc set is broken up into Hollywood Sessions 1: Moose the Mooche, Hollywood Sessions 2: Relaxin' at Camarillo, New York Sessions 1: Scrapple from the Apple, and New York Sessions 2: Drifting on a Reed. It's fortunate that these slices of jazz history are available allowing the listener to hear several takes of classics like "Moose the Mooch," "Relaxin at Camarillo," "Scrapple from the Apple," and "Ornithology" take shape. Sound quality on these Stash discs is good for the most part, fair but not great on others.
This CD compilation presents, on 8 discs, 17 recording sessions made between 1951 and late 1956 by the extraordinary trumpeter, leader, composer, and perpetual catalyst–Miles Davis. Featured in this collection are such major artists as Charlie Parker, Thelonious Monk, Charles Mingus, Sonny Rollins, Lee Konitz, and the original Davis Quintet: John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. The expanse of Miles Davis's recordings for Prestige Records, the California analogue to New York's Blue Note, is huge. In terms of artistic development, the eight CDs in this box span Davis's development from tentative searching through the full bloom of his first great quintet, whose frontline boasted Davis and a young John Coltrane.
The Paris Jazz Festival is a tradition in the jazz concert calendar with artists from around the world delighted to accept an invitation to perform.
The unique 1987 Paris Jazz Festival series not only captures some of jazz's finest innovators in concert but also the rehearsals for this prestigious event and candid backstage interviews with the artists. Swiss drummer Daniel Humair has worked with the best American and European jazz musicians.
This CD compilation presents, on 8 discs, 17 recording sessions made between 1951 and late 1956 by the extraordinary trumpeter, leader, composer, and perpetual catalyst–Miles Davis. Featured in this collection are such major artists as Charlie Parker, Thelonious Monk, Charles Mingus, Sonny Rollins, Lee Konitz, and the original Davis Quintet: John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. The expanse of Miles Davis's recordings for Prestige Records, the California analogue to New York's Blue Note, is huge. In terms of artistic development, the eight CDs in this box span Davis's development from tentative searching through the full bloom of his first great quintet, whose frontline boasted Davis and a young John Coltrane.