Luis Miguel Flac

“Banda de Caballos Cansados” it was released in 1974 by Music Hall label.

Even as "the fourth tenor" has become one of the world's most popular and renowned classical and operatic singers, Andrea Bocelli has been teasing pop fans over the years by recording brilliant duets with the likes of Celine Dion and Sarah Brightman. Who better to helm the Tuscan-born vocal giant's first pure pop album than David Foster, who has made foreign language singing all the rage by introducing the world to Josh Groban? Amore features songs from various musical eras, from the 1920s through the '80s, which Bocelli sings in his native Italian, Spanish, and French.

The Jazz in Paris: Jazz and Cinema series of Verve CD reissues examines jazz recorded for French film soundtracks in the late '50s and early '60s. This third compilation is the least successful of the first three, as few of the tracks stand on their own merit away from the movies they accompanied. Written for the film Les Loups Dans la Bergerie, the compositions of Serge Gainsbourg might be labeled cool, though they are rarely given time to develop and feature no major soloists in Alan Gouraguer's arrangements. Less successful are Andre Hodeir's somewhat boppish charts for Les Tripe au Soleil, which have extremely distracting scat vocals by Christiane Legrand that frequently seem off-key. The best of the lot is a remake of four songs composed by Freddie Redd for The Connection, which began life as a play…

Mark Spiro is an iconic American songwriter and an established award winning producer, recording artist, and accomplished musician, with a career that spans over two decades. Among his many accomplishments are 45 Gold and Platinum Records, and nine solo albums. His songs and productions have been represented on records that have sold over 100 Million copies worldwide. The “2+2 = 5: Best of + Rarities” compilation encompasses the best of Mark’s solo material starting from “Now Is Then, Then is Now”, originally released in 1996, until “It’s a Beautiful Life”, released in 2012. Also included are his songwriting collaborations with none other than Dann Huff (Giant), Michael Thomson (MTB), Jim Vallance (Bryan Adams), and Tim Pierce. As a special treat for the discerning and passionate melodic rock fans, the album includes 13 unreleased songs which also includes collaborations with Dann Huff, Michael Thompson, Tim Pierce and Jason Derlatka. Mark is currently working on a new solo album.

Duets is an album by American singer Frank Sinatra, released in 1993. Recorded near the end of Sinatra's career, it consists of electronically assembled duets between Sinatra and younger singers from various genres. The album was a commercial success, debuting at No. 2 on the Billboard albums chart, reaching No. 5 in the UK, and selling over 3 million copies in the US. It is the only Sinatra album to date to achieve triple platinum certification. Duets II is the 57th and last studio album by American singer Frank Sinatra. It was released in 1994, and was the sequel to the previous year's Duets. Phil Ramone produced the album and guest artists from various genres contributed their duet parts to Sinatra's already recorded vocals.

The multi-talented Quincy Jones has excelled at idiomatic combinations in his albums since the '60s, when his mix-and-match soundtracks for television and films alerted everyone that he'd switched from a pure jazz mode to a populist trend. Q's Jook Joint blends the latest in hip-hop-flavored productions with sleek urban ballads, vintage standards, and derivative pieces; everything's superbly crafted, though few songs are as exciting in their performance or daring in their conception as past Jones epics like Gula Matari or the score from Roots…
Ron Wynn, All Music Guide.

Q's Jook Joint blends the latest in hip-hop-flavored productions with sleek urban ballads, vintage standards, and derivative pieces; everything's superbly crafted, though few songs are as exciting in their performance or daring in their conception as past Jones epics like Gula Matari or the score from Roots. Still, you can't fault Jones for his choice of musical collaborators: everyone from newcomer Tamia to longtime stars like Ray Charles, rappers, instrumentalists, male and female vocalists, percussionists, and toasters. The CD really conveys the seamless quality one gets from attending a juke joint, though it lacks the dirt-floor grit or blues fervor of traditional Southern and chitlin circuit hangouts. But no one's more knowledgeable about the spectrum of African-American music, nor better able to communicate it via disc, than Quincy Jones.