Lynyrd Skynyrd

So named because this consists of Skynyrd's earliest recordings and was released after the tragic plane crash, thereby seeming to close the door on the band's career, Skynyrd's First and… Last is more than a simple historic curiosity, but not too much more. This music is more notable for being interesting - in how it's possible to hear Ronnie VanZant coming into his own as a writer, or hearing future Blackfoot leader Ricky Medlocke's early songs - than it is for being good, which it certainly is. Taken on its own, separated from the rest of the group's catalog, this would likely be seen as a great forgotten hard rock album from an obscure Southern outfit, but since Skynyrd went on to greater things, this winds up as a footnote - enjoyable, yes, but not quite necessary.

For its first live album since the fatal 1977 plane crash, Lynyrd Skynyrd drafted a few friends to sit in as guest artists, including former Dixie Dregs guitarist Steve Morse, fiddle wizard Charlie Daniels, and former Marshall Tucker Band guitarist Toy Caldwell, who contributes some of his unique thumb-picking guitar work to the J.J. Cale tune "Call Me the Breeze." Johnny VanZant, younger brother of the late Ronnie VanZant, steps forward as lead singer, and even pulls in his other brother Donnie of .38 Special to sing along, and Artimus Pyle proves that he still has what it takes to provide the backbeat for one of the South's most enduring legends. While Southern by the Grace of God may not match the intensity of One More from the Road, it still delivers some excellent Southern jamming, pairing a few of the South's best-loved musicians with one of the world's legendary rock & roll bands.

Lynyrd Skynyrd wrote the book on Southern rock with their first album, so it only made sense that they followed it for their second album, aptly titled Second Helping. Sticking with producer Al Kooper (who, after all, discovered them), the group turned out a record that replicated all the strengths of the original, but was a little tighter and a little more professional…

The Last of the Street Survivors Farewell Tour was a concert tour by the Southern rock band Lynyrd Skynyrd. It is the final tour conducted by the band. It began May 4, 2018, at the Coral Sky Amphitheatre in West Palm Beach, Florida and is ending on May 2, 2020 at Epic Center Festival in Charlotte, North Carolina…

This limited Special Edition adds a second disc of bonus tracks, including live versions of J.J. Cale's "They Call Me the Breeze" and "Sweet Home Alabama." With their classic early lineup, anchored by the swagger, grit, and heart of lead singer Ronnie Van Zant, Lynyrd Skynyrd merged Allman Brothers guitars with barrelhouse piano (courtesy of keyboardist Billy Powell, a bigger part of Skynyrd's classic sound than most people realize), then tossed in a big dose of hard rock attitude and gave it all credence with a kind of blustering and cocky honky tonk sensibility. The original band just sounded so, well, right, and if its legacy in most casual listeners' minds is just "Sweet Home Alabama" and the ubiquitous "Free Bird," that's not a bad legacy to have, really.

The Allman Brothers came first, but Lynyrd Skynyrd epitomized Southern rock. The Allmans were exceptionally gifted musicians, as much bluesmen as rockers. Skynyrd was nothing but rockers, and they were Southern rockers to the bone. This didn't just mean that they were rednecks, but that they brought it all together - the blues, country, garage rock, Southern poetry - in a way that sounded more like the South than even the Allmans. And a large portion of that derives from their hard, lean edge, which was nowhere more apparent than on their debut album, Pronounced Leh-Nerd Skin-Nerd. Produced by Al Kooper, there are few records that sound this raw and uncompromising, especially records by debut bands…

Lynyrd Skynyrd wrote the book on Southern rock with their first album, so it only made sense that they followed it for their second album, aptly titled Second Helping. Sticking with producer Al Kooper (who, after all, discovered them), the group turned out a record that replicated all the strengths of the original, but was a little tighter and a little more professional. It also revealed that the band, under the direction of songwriter Ronnie Van Zant, was developing a truly original voice. Of course, the band had already developed their own musical voice, but it was enhanced considerably by Van Zant's writing, which was at turns plainly poetic, surprisingly clever, and always revealing. Though Second Helping isn't as hard a rock record as Pronounced, it's the songs that make the record.