Lyrics Paul Mccartney

Paul McCartney must not only have been conscious of his slipping commercial fortunes, he must have realized that his records hadn't been treated seriously for years, so he decided to make a full-fledged comeback effort with Flowers in the Dirt. His most significant move was to write a series of songs with Elvis Costello, some of which appeared on Costello's own Spike and many of which surfaced here…

Teaming with Greg Kurstin – a producer best-known for helming Adele's Grammy-winning 25, but also a musician in his own right, collaborating with Inara George in the savvy retro duo the Bird and the Bee – is a signal from Paul McCartney that he intends Egypt Station, his 18th solo album, to be a thoroughly modern affair. It is, but not in the way that the glitzy 2013 album New, with its fair share of Mark Ronson productions, was. Kurstin doesn't specialize in gaudiness, he coaxes his collaborators to act like a bright, colorful version of their best selves, which is what he achieves with McCartney here. Apart from "Fuh You" – a vulgar throwaway novelty recorded with Ryan Tedder – Egypt Station is a handsome and clever collection where McCartney hits many familiar marks but the difference is, he gets there in a different fashion than before…

Teaming with Greg Kurstin – a producer best-known for helming Adele's Grammy-winning 25, but also a musician in his own right, collaborating with Inara George in the savvy retro duo the Bird and the Bee – is a signal from Paul McCartney that he intends Egypt Station, his 18th solo album, to be a thoroughly modern affair. It is, but not in the way that the glitzy 2013 album New, with its fair share of Mark Ronson productions, was…

Paul McCartney faced the COVID-19 lockdown of 2020 like he faced so many other unexpected challenges in his life: he set out to make music on his own. The title of McCartney III positions it as a direct sequel to 1970's McCartney and 1980's McCartney II, albums he made in the wake of the respective dissolutions of the Beatles and Wings, a sentiment that rings true in some ways but not in others. Certainly, the one-man-band approach unites all three albums, as does their arrival at the dawn of a new decade, yet McCartney III doesn't contain a clear undercurrent of Paul processing change in the wake of loss. He doesn't spend the record trying to "Find My Way," as he puts it on the album's second song, but rather simply existing, drawing evident pleasure from the process of writing and recording new music.

Off the Ground is the ninth solo studio album by Paul McCartney under his own name, released in 1993. As his first studio album of the 1990s, it is also the follow-up to the well-received Flowers in the Dirt (1989). In the United Kingdom, the album debuted at number 5 and quickly fell off the chart, spending only 6 weeks inside the top 100. In the United States, it peaked at the number 17 on the Billboard 200 with the first-week sales of only 53,000 copies, managing to receive Gold by the Recording Industry Association of America. Although it met with mixed reviews from critics and suffered from lackluster sales in the UK and North America, the album fared better in other key markets such as Spain.

Off the Ground is the ninth solo studio album by Paul McCartney under his own name, released in 1993. As his first studio album of the 1990s, it is also the follow-up to the well-received Flowers in the Dirt (1989). In the United Kingdom, the album debuted at number 5 and quickly fell off the chart, spending only 6 weeks inside the top 100. In the United States, it peaked at the number 17 on the Billboard 200 with the first-week sales of only 53,000 copies, managing to receive Gold by the Recording Industry Association of America. Although it met with mixed reviews from critics and suffered from lackluster sales in the UK and North America, the album fared better in other key markets such as Spain.

McCartney's third post-Beatles album, and the first credited to his new band Wings, saw the former Beatle continue his exploration of stripped-down, garage-like recording. With Denny Laine on guitar and Denny Seiwell on drums, the overall vibe is similar to that of MCCARTNEY: short repetitive hooks, fuzzed-out electric guitars, mid-tempos, and pleasurable ear-candy throwaways…