Lyrics Paul Mccartney

Allusion to the digital world though it may be, there's a sweet, elegiac undercurrent to the title of Paul McCartney's Memory Almost Full, an acknowledgement that it was written and recorded when McCartney was 64, the age he mythologized on Sgt. Pepper's Lonely Hearts Club Band, released almost exactly 40 years before Memory…

Entitled McCartney II because its one-man band approach mirrors that of his first solo album, Paul McCartney's first record since the breakup of Wings was greeted upon its release as a return to form, especially since its synth-heavy arrangements seemed to represent his acceptance of new wave…

Allusion to the digital world though it may be, there's a sweet, elegiac undercurrent to the title of Paul McCartney's Memory Almost Full, an acknowledgement that it was written and recorded when McCartney was 64, the age he mythologized on Sgt. Pepper's Lonely Hearts Club Band, released almost exactly 40 years before Memory…

Paul McCartney faced the COVID-19 lockdown of 2020 like he faced so many other unexpected challenges in his life: he set out to make music on his own. The title of McCartney III positions it as a direct sequel to 1970's McCartney and 1980's McCartney II, albums he made in the wake of the respective dissolutions of the Beatles and Wings, a sentiment that rings true in some ways but not in others. Certainly, the one-man-band approach unites all three albums, as does their arrival at the dawn of a new decade, yet McCartney III doesn't contain a clear undercurrent of Paul processing change in the wake of loss. He doesn't spend the record trying to "Find My Way," as he puts it on the album's second song, but rather simply existing, drawing evident pleasure from the process of writing and recording new music.

McCartney's third post-Beatles album, and the first credited to his new band Wings, saw the former Beatle continue his exploration of stripped-down, garage-like recording. With Denny Laine on guitar and Denny Seiwell on drums, the overall vibe is similar to that of MCCARTNEY: short repetitive hooks, fuzzed-out electric guitars, mid-tempos, and pleasurable ear-candy throwaways…

Teaming with Greg Kurstin – a producer best-known for helming Adele's Grammy-winning 25, but also a musician in his own right, collaborating with Inara George in the savvy retro duo the Bird and the Bee – is a signal from Paul McCartney that he intends Egypt Station, his 18th solo album, to be a thoroughly modern affair. It is, but not in the way that the glitzy 2013 album New, with its fair share of Mark Ronson productions, was…