Much can be said about the late Amy Winehouse, one of the U.K.'s flagship vocalists during the 2000s. The British press and tabloids seemed to focus on her rowdy behavior, heavy consumption of alcohol, and tragic end, but fans and critics alike embraced her rugged charm, brash sense of humor, and distinctively soulful and jazzy vocals. Her platinum-selling breakthrough album, Frank (2003), elicited comparisons ranging from Billie Holiday and Sarah Vaughan to Macy Gray and Lauryn Hill. Interestingly enough, despite her strong accent and vernacular, one can often hear aspects of each of those singers' vocal repertoires in Winehouse's own voice. Nonetheless, her allure had always been her songwriting – almost always deeply personal but best known for its profanity and brutal candor.
Part concert, part history lesson, part summit meeting, and all blues, Lightning in a Bottle puts a bright spotlight on this quintessential American music. There are some heavy hitters at work here, both behind the camera (Martin Scorsese executive produced, while the film was directed by Antoine Fuqua of Training Day and King Arthur) and especially in front of it, with a superb house band and a mind-boggling array of musicians (including B.B. King, Bonnie Raitt, Aerosmith's Steven Tyler and Joe Perry, Solomon Burke, Keb' Mo', Macy Gray, the Neville Brothers, Robert Cray, and John Fogerty, to name but a few) performing at New York's Radio City Music Hall in February, 2003…
If you think Back to Black is brilliant, wait until you hear Frank! Soul and Jazz stylings meet together here and the end result is magnificent.