By nature shy and retiring, Klaus Tennstedt was a reluctant celebrity, and his international career in the last quarter of the twentieth century must have seemed utterly incredible to him. Yet as introverted and introspective as Tennstedt was, it doesn't seem at all obvious in this 1983 concert recording of Gustav Mahler's Symphony No. 6 in A minor, "Tragic," for this is one of the conductor's most extroverted, aggressive, and potent performances.
After the highly acclaimed recordings of Mahler Symphonies no. 1, 2, 4 and 6 Iván Fischer and his Budapest Festival Orchestra now recorded the Fifth Sympony with its famous Adagietto in F major for strings and harp - one of the most intimate pieces that Mahler ever wrote for the orchestra.
This set of CD is EMI's ultra-low-cost boxed series, although the ultra-low prices, but this series there are still many excellent recordings, such as Ke Luotan's Beethoven Symphony Complete Works, Chiclini's Saty Piano works and so on. In this set of Mahler songs, it is worth noting that Teng Shi Te Te Te's "song of the earth", in its symphony is not included. In addition, the Baker Jazz singing "Luke Te song" and Fisher - Di Si test and Barenboim cooperation piano version of "Junior Magic" is also a very good version. But unfortunately did not include Canta "lament the song", but rather repeated the collection of the symphony of Teng Tate's total in the first 2,3,4 contains vocal movement, so it can not be called A song collection.
You will probably be as incredulous as I was to learn that the greatest cycle of Mahler symphonies comes not from any of the usual suspects - Abbado, Bernstein, Chially, Haitink, Kubelik, Rattle, Sinopoli, Solti, Tennstedt - but from the unsung Gary Bertini, who spent the better part of his career as music director of the Cologne Radio Symphony Orchestra. Unlike any of those more publicized sets, each of which includes a misfire or two, Bertini is consistently successful from first to last; his performance of each of these works can stand comparison with the very best available.
Auf der vorliegenden CD werden die Flöte, die Violine und die menschliche Stimme zur "Beute" dieses Mannes: Der Solo-Oboist der Berliner Philharmoniker, Albrecht Mayer, wagt sich nach dem Erfolg seiner Bach-Platte nun an Werke von W. A. Mozart und dessen Zeitgenossen Ludwig August Lebrun.
One is struck by the fact that the BPO, who must have been through all this music so often, can under a conductor who obviously inspires them, produce playing that is at once so polished and so fresh. One of the very finest Wagner orchestral collections in the catalog.
"Bernstein stamps his outsize personality on every bar and regularly has you convinced it is Mahler's own" (Gramophone). Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second "Resurrection" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendour of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor - with the Vienna Philharmonic players alive to every nuance.