Mahler Touch World

First Beethoven, then Sibelius and now Mahler: Music Director Osmo Vänskä and the Minnesota Orchestra launch their newest major recording project with an album of Gustav Mahler’s three-part, five-movement Fifth Symphony.

RCO - Anthology of the Royal Concertgebouw Orchestra, Vol 2, 1950-1960 (2003) {14CD Box Set Q Disc 97018, Limited Edition}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.80 Gb | MP3 @320 -> 2.39 Gb
Full Artwork @ 300 dpi (jpg) -> 133 Mb | 5% repair rar
© 1950-60, 2003 Radio Netherlands Music / Q Disc | 97018
Classical / Orchestral / Symphony

Again we are indebted to NM Classics for another volume (the second) in their Anthology of the Royal Concertgebouw Orchestra series. This one covers the period 1950-1960 and contains many unusual treasures as well as a number of performances that have already been issued: the fine Daphnis and Chloe with Monteux which currently is available on both Audiophile Classics and Music & Arts, Bruno Walter's Mozart, Mahler and Strauss all of which are available on Music & Arts, and the Brahms concerto with Monteux/Milstein, available on Audiophile Classics and Arioso (as well as a discontinued Tahra set). However, there are many fascinating items here including a number of major additions to Eduard van Beinum's discography. We have Beinum conducting music of Dutch composers Hans Henkemans (1913-1995), Anthony van der Horst (1899-1965), and Matthijs Vermeulen (1888-1967).

Closing the distance between classical music and Broadway, between the old world and the new, this album is born out of a stunning encounter between two performers. Kate Lindsey is an opera star whose career is skyrocketing. She has stunned audiences with her performances of Mozart and Purcell, but grew up steeped in the music of Broadway, from Gershwin to Cole Porter. Baptiste Trotignon is a multie award-winning jazz pianist who plays with big names like Brad Mehldau or Tom Harrell, but who has a long-held interest in classical music, even composing a piano concerto for Nicholas Angelich.

This is a Great Classical piece for the lovers of classical, as well as the ones who may hate it. These Adagios CDs get beter and better each time there is a new release. I must warn you there some good as well as some bad ones. There is a certain Adagio flavor for everyones.

Why do some rhythms get our toes tapping, while others make us feel mellow? How does a love song bring tears to our eyes? What links African drumming to J S Bach?In this new four-part series composer Howard Goodall strips music down to its essential parts to find out how music works.

This is Zemlinsky before Richard Strauss' rich chromaticism and nascent Expressionism inflamed his imagination. Yet there's nothing wanting in the language here. Within the compass of Brahms' models, Zemlinsky's orchestral mastery is comprehensive and his expression and imagination have widest range. His orchestral palette is flavorful and incandescent within the parameters of traditional orchestration. There are some lovely colors here.

This is Zemlinsky before Richard Strauss' rich chromaticism and nascent Expressionism inflamed his imagination. Yet there's nothing wanting in the language here. Within the compass of Brahms' models, Zemlinsky's orchestral mastery is comprehensive and his expression and imagination have widest range. His orchestral palette is flavorful and incandescent within the parameters of traditional orchestration. There are some lovely colors here.

Music by Schoenberg, Mauersberger, Schütz, Hassler, Gjeilo, and Mahler Angels intermediaries between the visible and the invisible world arent always easily heard and seen. But when musical settings of texts give them expression and sound, they are there: in history and in the present, in war and in peace. Making this heard requires a high level of artistic skill, a solid sense of style, fine distinction and shaping of sound, as well as a sincere intensity in singing.