Make The 10 x Leap

Everybody know that novelty bands have a hard time growing up, but the Presidents of the United States of America made a large leap toward that during their re-formation of 2000, with Freaked Out and Small demonstrating a decrease in their stylized silliness mellowed into something more genuine. It wasn't that the band rocked less, but their humor seemed less forced, a development that continued on 2004's Love Everybody. Evolution continues to be the name of the game on their 2008 follow-up These Are the Good Times People, as the group replaces departing guitarist (and founding member) Dave Dederer with Andrew McKeag, while they bring Seattle underground mainstay Kurt Bloch in as producer, all elements that help make These Are the Good Times People perhaps their most eclectic album to date.

Hit to Death in the Future Head is the fifth studio album by American rock band The Flaming Lips, released on August 11, 1992 by Warner Bros. Records. "Talkin' 'Bout the Smiling Deathporn Immortality Blues (Everyone Wants to Live Forever)" was released as the lead track on the EP Yeah, I Know It's a Drag… But Wastin' Pigs Is Still Radical to promote the album. The title provided the inspiration for the name of the British band The Futureheads.

Orange Mountain Music presents this new limited edition 11 disc boxed set - The Symphonies by Philip Glass. This collection features conductor Dennis Russell Davies who has arranged the commission of nine of ten Glass symphonies, leading the orchestras over which he has presided during the past 15 years including the Bruckner Orchester Linz, Vienna Radio Symphony Orchestra, Sinfonieorchester Basel, and the Stuttgart Chamber Orchestra. This collection is the fruit of a 20 year collaboration between Glass and Davies and showcases a wide variety within this surprising body of work by Glass.

An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record…

The 4-disc set contains three discs of live footage taken from the Live 8 shows staged in London and Philadelphia alongside key highlights from the seven other concerts staged across the world. Japanese four DVD box set of the Live 8 Festival on July 2, 2005. Features Pink Floyd performance at the festival, and video of their rehearsal…

John Zorn - John Zorn's Cobra, Live at The Knitting Factory (1995) {Knitting Factory Works KFW124 rec 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 325 Mb | MP3 @320 -> 160 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1992, 1995 John Zorn / Knitting Factory Works | KFW 124
Jazz / Avant-Garde / Structured Improvisation / Modern Composition

Recorded during twelve separate performances of John Zorn's "Cobra" during 1992, "John Zorn's Cobra: Live at the Knitting Factory" presents an extraordinary mix of performances, with different stagings by different groups and an absolutely stunning array of performers and environments.

This is a strangely persuasive compilation. It's rare that "best of" packages have songs from a variety of labels, yet maybe the fact that this is a German release had something to do with this draw. You Really Got Me: The Very Best of the Kinks essentially consists of three-fourths Pye/Reprise material (i.e. the '60s) and another one-fourth of Arista and MCA work (i.e. the "dark" years). What's even more rare is that this import collection is quite good…

With Revolver, the Beatles made the Great Leap Forward, reaching a previously unheard-of level of sophistication and fearless experimentation. Sgt. Pepper, in many ways, refines that breakthrough, as the Beatles consciously synthesized such disparate influences as psychedelia, art song, classical music, rock & roll, and music hall, often in the course of one song. Not once does the diversity seem forced – the genius of the record is how the vaudevillian "When I'm 64" seems like a logical extension of "Within You Without You" and how it provides a gateway to the chiming guitars of "Lovely Rita." There's no discounting the individual contributions of each member or their producer, George Martin, but the preponderance of whimsy and self-conscious art gives the impression that Paul McCartney is the leader of the Lonely Hearts Club Band.