In 1971 George Duke, having just recently done his time with the Mothers of Invention, was engaged by the Cannonball Adderley Quintet. Beginning in April of that year, Duke made two recordings over a short timespan that on their release in 1973 as a double LP (against the desire of the artists, by the way), would be a major statement. On Chapter One of his fusion autobiography, “Solus”, Duke, along with the skeleton crew of bassist John Heard and drummer Dick Berk, tries out the new compositional philosophy he had absorbed from his work with Adderley. The album was obliged to maintain a jazzy environment, illustrated by the harmonically flowing piano improvisation on “Love Reborn” and the bop-influenced busyness of “The Followers”. But the record also signifies the importance of the keyboards in all their diverse contexts – the funky rock of “Au-right”, and the smoldering, dreamy feel of “Peace”, for instance.
An amazing package of work from George Duke - 6 of his legendary fusion albums for MPS Records, including the never-reissued double-length set Solus / The Inner Source! That incredible album is worth the price of the package alone - as it begins with some sublime trio work from Duke, rooted in jazz but already stretching out in amazing ways - then moves into some even hipper Latin-styled grooves, with Jerome Richardson on reeds and Luis Gasca on a bit of trumpet! Other albums in the set are equally great - and trace Duke's evolution from straighter jazz into funky freer fusion and soul - an incredible musical shift that's presented on the albums Faces In Reflection, Feel, I Love The Blues She Heard My Cry, The Aura Will Prevail, and Liberated Fantasies - each of them classics in their own right, presented together wonderfully here in this complete MPS package! The set is amazing - with a whopping 64 titles in all, and complete notes on all the music - including some recollections from Duke himself.
Intelligent, evocative, understated, and mature are words that come to mind when describing this 1975 recording. The album is the reflection of a middle-aged woman pondering her present life while romanticizing the past, knowing full well that, in the words of the last song, "We're longing for a simpler time that never was." Written and produced by Leiber & Stoller, and sung in the soft, breathy style of Peggy Lee, the listener is taken through a journey of songs that often evoke a sense of melancholy, even when the lyrical content seems upbeat, such as on "I've Got Them Feelin' Too Good Today Blues." Thoughtful and understated arrangements by Johnny Mandel do a superb job of supporting but never overpowering the lyrics or the vocal style of Lee…