The brand is highly recognised with its distinctive packaging and quality music selection. It is the unofficial soundtrack to the French Film Festival, which attracted 135,000 people nationally in 2014 - making it the biggest foreign film festival in Australia. This January So Frenchy So Chic live concert will be held around the country attracting an estimated audience of 10,000+ in addition to extensive media coverage. The extremely popular So Frenchy So Chic series is back with 29 tracks that lift the spirits, from jazz to pop to electronica. Just say Ye-Ye! and hop on board. After years of successful compilation albums and tours, Cartell Music has the savoir faire to pick French musicians that Australian audiences love. Continuing the fabulous compilations of the past few years comes So Frenchy So Chic 2015, featuring an amazing lineup, including Emilie Simon, The Do, La Femme, Francois & The Atlas Mountains and more!
Lully's tragedie en musique, Atys, with a text by his favored librettist, Philippe Quinault, was one of his greatest operatic successes and was significant for setting a new standard for a distinctively French approach to opera. While Lully's operas have not entered the repertoire, they have fared well on record thanks to the efforts of some top-notch early music ensembles, and this 2010 performance of Atys featuring Hugo Reyne leading La Simphonie du Marais and Le Choeur du Marais is a superb addition to the composer's discography.
This luxurious set containing 39 CDs, 3 DVDs, 1 CD-Rom and four detailed booklets will tell you the full story of Baroque opera in Italy, France, England, and Germany. No fewer than 17 complete operas (including two on DVD) and two supplementary CDs (the dawn of opera, Overtures for the Hamburg Opera) provide the most comprehensive overview of the genre ever attempted! The finest performers are assembled here under the direction of René Jacobs and William Christie to offer you 47 hours of music. An opportunity to discover or to hear again the masterpieces of Baroque opera, some of which have been unavailable on CD for many years.
Marc-Antoine Charpentier (1643 – 24 February 1704) was a French composer of the Baroque era.
Exceptionally prolific and versatile, Charpentier produced compositions of the highest quality in several genres. His mastery in writing sacred vocal music, above all, was recognized and hailed by his contemporaries.
C'est le premier enregistrement mondial d'une très belle pastorale inédite de Charpentier, fruit de la collaboration entre le compositeur et Molière, afin de célébrer le tricentenaire de la mort de Charpentier. Chœurs somptueux, airs et duos magnifiques, des couleurs instrumentales chatoyantes et variées font de cette pastorale un petit joyau.
In August 1986 two pairs of young sisters (Claudia and Livia Caffagni, Elisabetta and Ella de Mircovich) founded the ensemble La Reverdie. The name, derived from a poetic genre that celebrates the return of Spring, reveals perhaps the principal trait of a group that, for 30 years now, has captivated audiences and critics alike for the variety in its approach to the vast and varied musical repertoire of Middle Ages and early Renaissance. To mark this anniversary, Arcana brings together in a single 5-CD box-set all the themed projects that, over the years, La Reverdie has devoted to various aspects of Medieval culture.
Although it's not unusual for artistic and literary communities to revisit and emulate the ideals of an earlier time (the 18th-century reverence for classical antiquity, for example), the present age has shown an interest in medieval music that's certainly unprecedented–and, on evidence of hundreds of recordings and the work of dozens of performing ensembles, its practitioners certainly are among the most accomplished and knowledgeable musicians and scholars ever known. This excellent recording from the medieval ensemble La Reverdie provides more support to such a claim. Rather than just dig up a bunch of old manuscripts, arrange a few obscure tunes, and dump them onto a program with a suitably poetic title, La Reverdie dug up a bunch of old manuscripts, arranged a few obscure tunes, and intelligently and skillfully organized them into an engaging program that brims with lively, lovely music and imaginative interpretations.
Harpsichordist Michael Borgstede has undertaken the huge task of recording all of the 27 Ordres, over 200 pieces, François Couperin (the great) wrote for this keyboard instrument.