Marquez

The book synthesizes the analytical principles with business practice of Decision Making. Specifically, the book provides an interface between the main disciplines of engineering/technology and the organizational, administrative, and planning abilities of decision making. It is complementary to other sub-disciplines such as economics, finance, marketing, decision and risk analysis, etc.

Imagine how the rhythmic emphasis of Scarlatti’s sonatas sounds on other instruments, beyond the harpsichord or other keyboards, can be a temptation difficult to overcome. It was difficult for us and it must have been, too, for those who had in their hands some of the hot manuscripts, fresh out of the oven, in the eighteenth century. Because, in this point, a new mystery emerges: what happened to all those acquaintances that Scarlatti had the opportunity to find in Rome or Venice? Did he keep in contact with other European composers, such as Thomas Roseingrave, once at the service of the court in Madrid? What happened to the bridges built with London? How is it possible that some of the sonatas that today are only preserved in the manuscript of Venice were known in England as early as 1744 (even before)?.

Imagine how the rhythmic emphasis of Scarlatti’s sonatas sounds on other instruments, beyond the harpsichord or other keyboards, can be a temptation difficult to overcome. It was difficult for us and it must have been, too, for those who had in their hands some of the hot manuscripts, fresh out of the oven, in the eighteenth century. Because, in this point, a new mystery emerges: what happened to all those acquaintances that Scarlatti had the opportunity to find in Rome or Venice? Did he keep in contact with other European composers, such as Thomas Roseingrave, once at the service of the court in Madrid? What happened to the bridges built with London? How is it possible that some of the sonatas that today are only preserved in the manuscript of Venice were known in England as early as 1744 (even before)

An East L.A. band from the 1960s, Thee Midniters are a bit of a well-kept secret. Led by the soulful vocals of Willie Garcia, the guitar playing of George Dominguez, and the ferocious drumming of George Salazar and Danny LaMont – and featuring horns, timbales, and congas – Thee Midniters were solidly professional, and essentially set the template for later pop horn bands like Blood, Sweat & Tears and Chicago, although almost any musical form was in play for this band, including British Invasion, R&B, salsa, gospel, and straight-out soul.

Terra e libertà è il terzo disco dei Modena City Ramblers, in cui si comincia già a sentire un cambiamento di stile che fonde il folk irlandese a suoni sudamericani, cambiamento consacrato dalla seconda canzone del CD, Il ritorno di Paddy Garcia, un personaggio di fantasia nato dalla fusione di Paddy