Maurizio Pollini

This recording is clear, sharp and well-executed. The last two numbers with Katia Ricciarelli are stunning. She has a clear and lush voice with a dark, luminous quality that is finer than any clarinet. I could not get enough of her singing "Tanti affeti" at the end of the opera. What an incredible soprano. Certainly Joyce DiDonato is the current reigning Rossini mezzo but she (Ms. DiDonato) sings this at a slower tempo, with more ornamentation, perhaps to display her gifts better, though I think with less overall emotional impact.

Combining clarity with a dazzling technique, investing the music "with a symphonic gravitas, elemental power and electrifying modernity" (International Record Review), over three-and-a-half decades Maurizio Pollini has traversed the major works of Chopin as no other pianist of his time. Here is the legacy of this unique achievement, in a single box set for the first time. The complete Chopin recordings from 1972 to 2008 Comprising the Études, Preludes, Polonaises, Sonatas, Scherzi, Ballades, Nocturnes Also includes the 2008 recital.

Pollini is so much a part of the contemporary music scene that it's amazing to realize that the earliest material on this disc (Stravinsky and Prokofiev) dates to the 1940s. These two performances retain their power to startle and amaze, both through Pollini's seemingly effortless virtuosity and through the immediacy of his musical conceptions. This Prokofiev is a close rival even to Richter's. Webern, from six years later, is so colorful and well organized that it makes the difficult music almost easy to listen to. Not many listeners will put up with Boulez's obscurities, but there is still plenty to make the disc worthwhile.

Maurizio Pollini, "the pre-eminent Chopinist of his generation" (Fanfare), continues his revelatory and chronological re-exploration of the Polish master's late works. This album contains the pianist's latest thoughts on Opp. 55-58 (1843/4), including the B minor Sonata and Berceuse.

This review is my celebration of two anniversaries. Composer Frederic Chopin was born 200 years ago, and this recording was made 50 years ago today. Chopin's piano concerto in F minor op 11, while carrying the number 1, was actually his second piano concerto. In any case it has always been my favorite of the two. The first maovement (allegro maestoso risoluto) contains a lenghthy (four minutes here) orchestral introduction and is by far the longest of the movements.

Maurizio Pollini records Schubert's three great last sonatas, all written in the year of his untimely death, with a delicate and lyrical touch.