Maurizio Zacaria Rachmaninov

From the outset of his recording career, Maurizio Pollini has championed modern music – in benchmark accounts of Bartók, Boulez, Manzoni, Nono, Prokofiev, Schoenberg, Stravinsky and Webern, to which can be added his later recordings of Debussy and Berg. Here are his complete recordings of 20th-century music, brought together on a specially-priced 6-CD set for the first time.

Boris Giltburg's 2016 release on Naxos consists of two sets of piano pieces by Sergey Rachmaninov, the Études-tableaux, Op. 39 (1916-1917), and the Moments musicaux, Op. 16 (1896). The Études-tableaux are a cross between technical studies and character pieces, reminiscent of the etudes of Frédéric Chopin, and they present considerable challenges, even to virtuoso pianists. Here, Giltburg displays his remarkable skills, as well as a range of expressions that run from the fiery and turbulent to the atmospheric and melancholy. In the Moments musicaux, Rachmaninov experimented with short forms, such as the nocturne, etude, funeral march, barcarolle, and theme with variations, and these pieces demonstrated his mastery of piano technique, if not yet his full maturity as a composer. Giltburg's playing brings out a variety of colors and textures, and his passionate interpretations accord with Rachmaninov's youthful, ardent style.

Rachmaninov - Etudes-Tableaux (2012) {EMI Classics} + Piano Sonatas 1 & 2 (2012) {Naive}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 410 Mb | MP3 @320 -> 306 Mb
Full Artwork @ 300 dpi (png) -> 89 Mb | 5% repair rar
© 2012 EMI Classics / Naive | 50999 2 32282 2 1 / AM 208
Classical / Piano

While there is no knowing what whimsy prompted the fine fellows from the reissue department of EMI to release Vladimir Ovchinnikov's 1989 recording of both sets of Rachmaninov's Etudes-Tableaux in its "encore" series, one can only be grateful it did. Along with rereleasing both Richter's sublime Schumann disc and Barenboim's abysmal Beethoven disc, EMI has released for the first time this vivid and virtuosic Rachmaninov recording by Ovchinnikov.

In my own compositions, no conscious effort has been made to be original, or Romantic or Nationalistic, or anything else. I write down on paper the music I hear within me, as naturally as possible…

Yevgeny Sudbin's inquiring mind, unflappable fingers, and huge heart mesh with extraordinary concentration and intensity, resulting in some of the most carefully thought-through, powerfully projected, and fastidiously executed Rachmaninov interpretations I've ever heard. A few general comments equally pertain to all of the selections. In Sudbin's hands, inner voices aren't gently coaxed from the massive, orchestrally inspired textures for ear-catching effect, but instead emerge as integral and active components.

All-Night Vigil has been recognised as a supreme achievement in the music of the Russian Orthodox Church. Together with the choral symphony The Bells, it is one of Rachmaninov’s favourite compositions. As a coupling the Netherlands Radio Choir have chosen to record one of Rachmaninov's earliest works, composed in 1893 and unpublished in his lifetime. The Theotokos, Ever-Vigilant in Prayer is a hymn to the Virgin – ‘the one who gives birth to God’ – and clearly aims to exploit the skill of a first-class choir, with its varied textures, tempos and wide range of dynamics.