Max

Over a decade after its inception, ground-breaking composer Max Richter announces the release of VOICES – a major new recording project inspired by the Universal Declaration of Human Rights. In a time of dramatic global change, VOICES offers a musical message of hope. Max Richter invited people around the world to be part of the piece, crowd-sourcing readings of the Universal Declaration of Human Rights to be interwoven into the work, which features an ‘upside-down’ orchestra. He received hundreds of submissions in over 70 languages.

In the film Mission: Impossible – The Final Reckoning (2025), the composers are Max Aruj and Alfie Godfrey, replacing Lorne Balfe, who previously worked on the music for earlier installments of the franchise.

Mutant and Paramount Pictures are proud to present the premiere physical media release of Max Aruj and Alfie Godfrey's score to Mission: Impossible - The Final Reckoning, the eighth chapter in actor/producer Tom Cruise's beloved spy series.

Max Greger wurde am 02.04.1926 in München geboren. Neben der Schule lernte er Klarinette und Saxophon am Münchner Konservatorium. Seine musikalische Karriere begann in der Nachkriegszeit, wo Max Greger als einer der ersten deutschen Musiker in den amerikanischen Offizierscasinos Swing- und Jazzmusik spielte. Tagsüber spiel- te er mit seinem Orchester für den bayerischen Rundfunk und nachts heißen Jazz in den Clubs.

Coming together to solve a series of murders in New York City are a DEA agent whose family was slain as part of a conspiracy and an assassin out to avenge her sister's death. The duo will be hunted by the police, the mob, and a ruthless corporation

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Max Richter uses the Universal Declaration of Human Rights and real voices from across the planet to remind us we need more than ever to become one global family.

Finnish cellist Max Lilja, one of the founders of Apocalyptica, takes us on an immersive journey across Johann Sebastian Bach’s life; through merging the iconic Cello Suites with an ambient composition, Lilja enlightens the space around the solitary voice.