Mayfield Four

Curtis/Live! is, simply, one of the greatest concert albums ever cut on a soul artist, and one of the legendary live albums of all time. Cut in January of 1971 during four nights at The Bitter End (then Greenwich Village's leading music venue) in New York, the resulting double LP transcended any expectations in both its programming and execution – Mayfield performed numbers off of the Curtis album ("[Don't Worry] If There's a Hell Below We're All Going to Go"), as well as exciting and urgent new versions of songs originally performed by the Impressions ("We're a Winner," "People Get Ready," "Gypsy Woman"), plus a very moving R&B version of "We've Only Just Begun." This is all beautifully stripped-down work by a quintet consisting of Mayfield (vocals, guitar), Craig McMullen (guitar), Tyrone McCullen (drums), "Master" Henry Gibson (percussion), and Joseph "Lucky" Scott (bass) – a solid, intense performance, with quietly elegant guitar playing against a rock-solid rhythm section, as Impressions hits are rethought and reconfigured in a new context, and Mayfield's early solo repertory comes to life in newer, longer live versions.

Live from Amsterdam is the first concert film and live album by American rock band Alter Bridge, recorded on December 7, 2008 at the Heineken Music Hall in Amsterdam, Netherlands.
Alter Bridge resurrected the music-making portion of Creed. After that band's 2004 dissolution, guitarist Mark Tremonti and drummer Scott Phillips tapped ousted bassist Brian Marshall for the new project. Ex-Mayfield Four frontman Myles Kennedy was soon on board as well, and Alter Bridge made their Wind-Up debut in August 2004 with One Day Remains.

For generations, Sidney Bechet's legacy of great jazz recordings has been reissued carefully, both casually and haphazardly. One of several chronological options, the 12-volume Masters of Jazz "Complete Edition" takes a most exactingly thorough approach, mapping Bechet's every appearance in the recording studio, week by week and session by session, regardless of who was initially designated as the primary artist. 1923, Vol. 1 in the series covers a four-month period from late July to early November 1923…

This is a boxset of re-recordings and live performances and will be of interest to those interested in hearing alternate recordings of classic soul tracks. Some of these tracks are quite good. Others don't compare to the original in my opinion. Some of the songs are by well known performers that are not the same performer that had the hit originally. All in all this makes an interesting set.

2009 five CD set. 100% Blaxploitation brings together 100 original Funk and Soul tracks from the 1970s Blaxploitation era. Including cuts from Curtis Mayfield, Bobby Womack, The Meters, Aaron Neville and Funkadelic, 100% Blaxploitation is an essential collection, with every funky Soul classic you'll ever need.

This 52-disc (no, that is not a typo) comp, ABC of the Blues: The Ultimate Collection from the Delta to the Big Cities, may just indeed live up to its name. There are 98 artists represented , performing 1,040 tracks. The music begins at the beginning (though the set is not sequenced chronologically) with Charlie Patton, Son House, and Robert Johnson, and moves all the way through the vintage Chicago years of Muddy Waters and Howlin' Wolf, with stops along the way in Texas, Louisiana, Florida, Georgia, Mississippi, Tennessee, New York, and all points in between. Certainly, some of these artists are considered more rhythm & blues than purely blues artists: the inclusion of music by Johnny Otis, Wynonie Harris, Bo Diddley, and others makes that clear…