Kingdom Come is the debut studio album by American rock band Sir Lord Baltimore, released on Mercury Records in 1970. This album is notable for the fact that its 1971 review in Creem contains an early documented use of the term "heavy metal" to refer to a style of music. It features very fast-paced, rhythm and blues-based rock 'n' roll with high levels of distortion in the guitar and, in some cases, the bass. Baltimore's heavy style can be compared to early Black Sabbath, the Stooges and MC5. Kingdom Come has received acclaim from critics and its influence on heavy metal music is well-noted. In his retrospective review, Marcos Hassan of Tiny Mix Tapes called it "one of those great records where not a second is wasted".
Rock & roll had grown louder and wilder by leaps and bounds during the '60s, but when Blue Cheer emerged from San Francisco onto the national rock scene in 1968 with their debut album, Vincebus Eruptum, they crossed a line which most musicians and fans hadn't even thought to draw yet…
Rock & roll had grown louder and wilder by leaps and bounds during the '60s, but when Blue Cheer emerged from San Francisco onto the national rock scene in 1968 with their debut album, Vincebus Eruptum, they crossed a line which most musicians and fans hadn't even thought to draw yet. Vincebus Eruptum sounds monolithically loud and primal today, but it must have seemed like some sort of frontal assault upon first release; Blue Cheer are often cited as the first genuine heavy metal band, but that in itself doesn't quite sum up the true impact of this music, which even at a low volume sounds crushingly forceful. Though Blue Cheer's songs were primarily rooted in the blues, what set them apart from blues-rock progenitors such as the Rolling Stones and the Yardbirds was the massive physical force of their musical attack.
Born To Be Wild is a three-part series telling the story of the rise and fall of the golden age of American rock from the late 60s to the early 90s. This was a time when singers were gods, guitarists were axe men and songs were anthems, forging the soundtrack to the nation one stadium at a time. Born out of revolution, it initially scared the hell out of the establishment but ended up becoming a multi-billion dollar industry and the sound of Middle America. It’s a tale of classic songs and big riffs through to spandex pants and huge hair. The series is set against a back-drop of three decades of seismic political and social change which American rock both reflected and ignored. The story is told by the people who were there, who lived it.