Mcgoohan

Commander James Ferraday, USN, has new orders: get David Jones, a British civilian, Captain Anders, a tough Marine with a platoon of troops, Boris Vasilov, a friendly Russian, and the crew of the nuclear sub USS Tigerfish to the North Pole to rescue the crew of Drift Ice Station Zebra, a weather station at the top of the world. The mission takes on new and dangerous twists as the crew finds out that all is not as it seems at Zebra.

UK three CD anthology from Edward Ball, a celebration of his work and the perfect introduction to Edward's world, from the teenage DIY punk and power pop of 'O'Level and Teenage Filmstars through the indie mod of The Times to Ball's years at the Creation label. 61 tracks, cherry picked from his wonderfully wide-ranging musical journey. Highlights include The Times' smashing 1981 debut single, 'Red With Purple Flashes', their 1982 fan favourite, 'I Helped Patrick McGoohan Escape' inspired by cult TV series The Prisoner, the irresistible 1996 solo near-hit, 'The Mill Hill Self Hate Club' and the full 10:35 version of Love Corporation's 'Give Me Some Love' with stunning production by Andy Weatherall from 1991. Plus a previously unreleased gem for the anthology, 'Song To The Lighthouse', an out- take from his soundtrack to the 2010 Carol Morley film The Edge. The Whaam! Label set up by Edward Ball with the Television Personalities' Dan Treacy and Ball's own Artpop! Label were a direct inspiration for Alan McGee to set up Creation Records who signed Edward in 1988. Brit Pop era solo albums saw Edward joined by musical friends such as Ride's Andy Bell, Nick Heyward and members of The Boo Radleys while Ball's dance and world music influenced project Love Corporation were remixed by Andy Weatherall, Danny Rampling and Monkey Mafia. Ball also resurrected The Times and Teenage Filmstars monikers at Creation, under the former name Ball melded indie and dance music before Primal Scream's 'Screamadelica', while, with the latter, he embraced psychedelic noise.

Eccentric, prolific British singer/songwriter Roy Harper is a legend on the U.K. folk-rock scene. He began recording in the late 1960s, as something of a cross between Bob Dylan's troubadourism and Syd Barrett's freewheeling, wild-eyed visions. Though Harper has had an impact on British rockers who gained greater fame (he's feted in Led Zeppelin's "Hats Off To Roy Harper," sings lead on Pink Floyd's "Have a Cigar," and was a
major influence on Jethro Tull), his mix of folk and prog-rock has earned him a niche all his own in the pantheon of British songwriters.

Darryl Revok is the most powerful of all the scanners, and is the head of the underground scanner movement for world domination. Scanners have great psychic power, strong enough to control minds; they can inflict enormous pain/damage on their victims. Doctor Paul Ruth finds a scanner that Revok hasn't, and converts him to their cause - to destroy the underground movement.

UK three CD set. Contains 77 tracks of punk, new wave, post punk, power pop and mod revival originally released between 1977 - 1982 including many for the first time on CD. Some of these tracks are super-rare and very hard to find having only been pressed on very limited 7" singles. Media book format package, with three CDs and 40 page book. Introduction and track by track notes by Gary Crowley and Jim Lahat, plus punk memories from Richard Jobson (The Skids), Clare Grogan (Altered Images), Duncan Reid (The Boys), Jane Perry Woodgate (The Mo-Dettes) and Spizz.

A thrilling release for our 35th anniversary year. The perfect release, in fact, for our sole batch of anniversary year CD Club titles. Laurence Rosenthal (with a list of classics that includes Clash Of The Titans, Return Of A Man Called Horse and The Miracle Worker) goes back a long time with Varèse Sarabande — all the way, in fact … to 1978! Laurence Rosenthal's Brass Target was actually our first release of a new film score. Celebrating not only Varèse Sarabande's 35th Anniversary but also Brass Target's, we are thrilled to present the CD debut of the Laurence Rosenthal's powerful, militaristic score.