A household name since the early '70s, John McLaughlin was an innovative fusion guitarist when he led the Mahavishnu Orchestra and continued living up to his reputation as a phenomenal and consistently inquisitive player through the years. He started on guitar when he was 11 and was initially inspired by blues and swing players. John McLaughlin worked with David Bowie, Alexis Korner, Graham Bond, Ginger Baker, and others in the 1960s and played free jazz with Gunter Hampel for six months. His first album was a classic (1969's Extrapolation) and was followed by an obscurity for the Dawns label with John Surman, a quintet set with Larry Young (Devotion), and My Goals Beyond in 1970 which was half acoustic solos and half jams involving Indian musicians.
“Playing and working with the same musicians in a band is a living process which unfolds as time goes by,” reflects guitarist, composer, and bandleader John McLaughlin when considering the release of his latest album, Black Light – the third studio album to feature his band, the 4th Dimension. Available via Abstract Logix on September 18, 2015, Black Light finds the relentlessly inquisitive, exploratory McLaughlin continuing to uncover new melodic and rhythmic pathways with the same fearless zeal that has made him one of modern music’s most admired and influential figures. And, in the 4th Dimension – drummer/vocalist Ranjit Barot, keyboardist/drummer Gary Husband, and bassist Étienne M’Bappé – McLaughlin has gathered a trio of fellow travelers with the collective discipline, technical ability, musicianship, and imagination to support, enhance, and enrich McLaughlin’s challengingly expansive new material and methods.
For more than five decades, John McLaughlin has deployed his peerless guitar technique, compositional gifts, and imagination in service of a deeply personal higher calling, forging a vast legacy unmatched in improvised music. Now as the world reels from the toll of the ongoing viral-induced global lockdown, McLaughlin reflects on both the perils and potential of this challenging moment with 'Liberation Time'.
One of fusion's most virtuosic guitar soloists, John McLaughlin placed his blazing speed in the service of a searching spiritual passion that has kept his music evolving and open to new influences. Whether shredding on electric or simmering quietly on acoustic, McLaughlin's intensity and underappreciated versatility have nearly always kept his playing vital, and his best moments …
While it would be utterly foolish to consider a two-disc set by guitarist John McLaughlin as anything other than a sample of the wildly diverse career he's enjoyed since the early '60s, it should be noted and underscored that what Legacy does with this set is to provide a solid look at not only the man's gifts but at the way he's employed them, exploited them, and let them get the best of him for the past 40-plus years.