Mclaughlin

John McLaughlin - Montreux Concerts (2003) {17CD Box Set Warner Bros Switzerland 50-50466-9701-21 rec 1974-99}
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© 1974-99, 2003 Warner Bros Switzerland / Montreux Sounds | 50-50466-9701-21
Jazz / Fusion / Post Bop / World / Guitar

John McLaughlin Montreux Concerts Box Set contains a bounty of 17 CDs from the acclaimed jazz guitarist's all-star performances at the famous Swiss jazz festival, including performances with Carlos Santana, Paco De Lucia and his Mahavishnu Orchestra. This monumental compilation features all the artist's concerts at the Montreaux Jazz Festival spanning the years 1974 through 1999. Featuring Shakti in July 1976 & 1977 (three discs), John McLaughlin & The One Truth Band in July 1978, John McLaughlin & Chick Corea in July 1981, Mahavishnu Orchestra in July 1984 (two discs), John McLaughlin & Paco DeLucia in July 1987 (two discs), John McLaughlin & The Free Spirits in July 1993 & 1995 (three discs), John McLaughlin & The Heart Of Things in July 1998, & John McLaughlin & Remember Shakti in July 1999.

Paco de Lucia & John McLaughlin - Paco And John Live At Montreux 1987 (2016) {2CD+Bonus DVD9}
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DVD9 -> 6.21 Gb | All Regions | NTSC 4:3 | Dolby AC3, 2 ch / Dolby AC3, 6 ch / DTS, 6 ch | ~ 91 min | ISO Image
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© 1987, 2016 Eagle Vision / Universal | EAGDV059
Jazz / World Music / Flamenco / Guitar

John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987 it's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words "fusion," "jazz-rock" and/or Miles Davis, in any permutation/combination (not that there's anything wrong with that). Those a little further in the know might also be aware of his longstanding investigation into the nexus of eastern and western music with his Indo-collaboration, Shakti.

John McLaughlin - Molom - A Legend Of Mongolia (1995) {Verve 529 034-2}
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© 1995 Verve / Polydor/PolyGram S.A. France | 529 034-2
Jazz / World / Fusion / Etnic Fusion

This McLaughlin album is a rare limited edition French release - soundtrack to a limited edition film "Molom - A Legend Of Mongolia" . All this combination sounds a bit strange, so I almost missed that album. It could be a big mistake! Album contains 22 compositions, only around half of them is McLaughlin pieces, all others are original Mongolian folk songs played and recorded very tastefully, with all acoustic mysticism possible!

John McLaughlin - Black Light (2015) {Abstract Logix ABLX 050}
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© 2015 Abstract Logix | ABLX 050
Jazz / Jazz Rock / Fusion / Guitar

“Playing and working with the same musicians in a band is a living process which unfolds as time goes by,” reflects guitarist, composer, and bandleader John McLaughlin when considering the release of his latest album, Black Light – the third studio album to feature his band, the 4th Dimension. Available via Abstract Logix on September 18, 2015, Black Light finds the relentlessly inquisitive, exploratory McLaughlin continuing to uncover new melodic and rhythmic pathways with the same fearless zeal that has made him one of modern music’s most admired and influential figures. And, in the 4th Dimension – drummer/vocalist Ranjit Barot, keyboardist/drummer Gary Husband, and bassist Étienne M’Bappé – McLaughlin has gathered a trio of fellow travelers with the collective discipline, technical ability, musicianship, and imagination to support, enhance, and enrich McLaughlin’s challengingly expansive new material and methods.

Though this fitfully inspired yet always intelligently musical record is an electric album, McLaughlin is more often heard on acousticintet, along with bass and drums, contained two keyboard players, Francois Couturier and the noted classical pianist Katia Labeque (who was McLaughlin's companion). Labeque, seated at a Synclavier and a grand piano, has acres of technique and almost no feeling for jazz, though she is adept at providing moody backdrops, and her rapid-fire synth runs and Jarrett-like etudes on the Steinway aren't too far away stylistically from McLaughlin's helter-skelter flurries. In a continued homage to McLaughlin's once and future employer Miles Davis, "Blues for L.W." brazenly quotes "Blues for Pablo," and sometimes the music texturally resembles the heavily synthesized things that Miles would soon be putting out.

This is the second album under the guise of The 4th Dimension, who are every bit a match for McLaughlin’s intensity. Etienne M’Bappe’s five string bass and Gary Husband’s keys and extra drumming follow every twist, turn, leap and tangent, but gone is Mark Mondesir to be replaced by polyrhythmic powerhouse Ranjit Barot.