Mclaughlin

John McLaughlin & The Free Spirits - Tokyo Live (1994) {Verve 314 521 870-2}
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© 1994 Verve / Polydor / PolyGram | 314 521 870-2
Jazz / Fusion / Post Bop / Guitar / Hammond B-3 Organ

Although it is tempting to think that The Free Spirits (the trio featured on this CD), due to the similarity of the instrumentation (guitarist John McLaughlin, organist Joey DeFrancesco and drummer Dennis Chambers), would be an updating of Tony Williams's groundbreaking fusion group Lifetime, the reality is somewhat different. McLaughlin may get top billing but this music sounds very much like a Joey DeFrancesco-led Jimmy Smith revival date with most of the selections being blues-based. There are some introspective moments for the guitarist (who plays strictly electric here) but DeFrancesco dominates the ensembles and takes the lion's share of the solo space.

Where Fortune Smiles is really a John Surman recording, but subsequent re-releases have passed the credit on to John McLaughlin (for obvious reasons). The music is similar to but more dense than Extrapolation. McLaughlin's raw sound was starting to take shape by this time and his impeccable chops are on full display. So too are those of the underrated vibraphonist Karl Berger and, of course, soprano saxophonist Surman. The foundation is held loosely in place by bassist Dave Holland and drummer Stu Martin. It's a challenging but interesting listen, especially given McLaughlin's later success and popularity.

Various Artists - Abstract Logix Live! The New Universe Music Festival 2010 (2011) {Abstract Logix ABLX030} (John McLaughlin)
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© 2011 Abstract Logix | ABLX030
Jazz / World Fusion / Jazz Rock / Guitar

On the face of it, this live double-album is an expert genuflection to jazz-rock fusion, with five guitarists and a crop of punchy drummers (including Return to Forever's Lenny White and percussion virtuoso Zakir Hussain) to confirm it. But the playing of the seven bands is anything but predictable. The members sit in with each other here, and their embrace of risk and the pleasure they take in spontaneous performance are palpable. John McLaughlin and the 4th Dimension have Hussain sit in for usual drummer Ranjit Barot in two fiercely vivacious pieces, including an infectious, choppy, 20-minute Hussein showcase, Mother Tongues. Barot leads a violin-dominated Indian-inflected sextet featuring the New York guitar maverick Wayne Krantz as a guest; Krantz also appears with an edgy avant-fusion trio. The chord-crunching, metal-inspired guitarist Alex Machacek opens proceedings with a fast-moving group extensively featuring electric bassist Neal Fountain.

Six years in the making, Is That So? is one of legendary guitarist John McLaughlin's deepest and most profound musical collaborations with prolific Indian composer and vocalist Shankar Mahadevan. Joining the duo is their life-long friend and musical brother Ustad Zakir Hussain on the tabla, who has been collaborating with John since they founded Shakti in the early '70s, acknowledged by most to be the first groundbreaking crossover East-West musical group.

Vivacious, young soprano Marie McLaughlin is magnificent as the ill-fated courtesan Violetta in this passionate production of Giuseppe Verdi's timeless classic, directed by the internationally renowned Sir Peter Hall and conducted by one of music's all-time greats, Bernard Haitink. Walter MacNeil brings to striking life the role of Violetta's lover, Alfredo, and Brent Ellis shines as Alfredo's father, Germont. Set in 19th century Paris, this moving story of doomed love and its dramatic deathbed reconciliation remains one of Verdi's most popular operas.

The Trio of Doom was a short-lived jazz fusion power trio consisting of John McLaughlin on guitar, Jaco Pastorius on bass, and Tony Williams on drums. They were brought together by Columbia Records in 1979 to play the Havana Jam festival in Cuba alongside Billy Joel, Kris Kristofferson, Rita Coolidge, and others. Their only live performance was on March 3, 1979, and it is recorded on Ernesto Juan Castellanos's documentary Havana Jam '79. On March 8, 1979, the group reconvened in New York City to record the songs they had played live, but a dispute broke out between Pastorius and Williams. An album was released on June 26, 2007, on Legacy Recordings, containing five tracks from Havana Jam and five recorded in the studio.