Masada has quickly become one of John Zorn's most popular and adventurous musical projects. These special arrangements for small ensembles of strings, keyboards and clarinets, shed new light on his book of inspiring compositions expanding the Jewish tradition. Bar Kokhba presents over two hours of dark, passionate and evocative Jewish music, featuring some of New York City's finest musicians. This double-CD is the long-awaited first American release of Zorn's Masada material, featuring startling new chamber arrangements of music from the six Masada albums on Avant (Japan).
As John Zorn’s most popular project reaches its tenth year, Tzadik celebrates the Masada songbook with a series of all-star tributes. Following Masada Guitars, Volume 2 is an eclectic and powerful collection of almost two dozen Masada classics artfully arranged by some of the downtown scene’s most creative performers. Zorn’s catchiest and most lyrical tunes performed by rock bands, klezmer groups, vocalists, jazz.
Silver Rails is Jack Bruce's first solo studio album since 2003's fine More Jack Than God. Bruce recorded the set at Abbey Road with producer Rob Cass and collaborated with a dazzling array of musicians. Notably, he brought back John Medeski and Cindy Blackman Santana from the Spectrum Road project – a tribute band to the Tony Williams Lifetime – which released its own album in 2012. He also enlisted son Malcolm Bruce and guest guitarists including Phil Manzanera, Robin Trower, Bernie Marsden, and Uli Jon Roth. Bruce wrote songs with longtime collaborators Pete Brown and Kip Hanrahan, as well as his wife, Margrit Seyffer.
The third CD from Zorn’s most dangerous new instrumental ensemble is inspired by the work and thought of Swedish playwright, poet, painter, philosopher, novelist, alchemist and occultist August Strindberg, whose dark brooding visions were a precursor to expressionism, surrealism and more. Featuring the long form composition “Inferno,” named after one of Srindberg’s most startling texts, the music touches upon metal, jazz, minimalism, atonality, ambient and more. White hot burning intensity from the mind of downtown NY’s eternally youthful hell-raiser performed by a virtuoso trio forged from the worlds of jazz and metal.
Israeli-born electric guitarist Eyal Maoz offers a slice of music from the jazz fusion side of things on this, his debut recording released as part of the Radical Jewish Culture series on John Zorn's Tzadik label. It is at once retro and contemporary, borrowing from organ-fired groups such as the Tony Wiliams Lifetime, Santana, and the Mahavishnu Orchestra, with a healthy element of traditional and Yiddish dance elements heaped on. Organist John Medeski is a major player in Maoz's ethos, as his poignant, biting, and sometimes soaring B-3 plays an important role in keeping the music upbeat and hopping. Drummer Ben Perowsky and bassist Shanir Ezra Blumenkranz keep up with the tricky rhythm changes, stop-starts, and buoyant melodies that are so much a part of Jewish musics, as well as the funk and rock of contemporary modern times…
Sex Mob Does Bond is the soundtrack to an imaginary James Bond flick, and a tribute, of sorts, to the music of John Barry. Aside from the leadoff track and its reprise ("Dr. Yes," ostensibly the title of the film), the program is a collection of Barry tracks taken from various Bond films. As always, Sex Mob applies its own swaggering brilliance to the proceedings, spicing up the somewhat familiar music with outrageous musicianship and a sly grin. Joined by guests John Medeski (organ) and the Sex Mob Soul Choir (backing vocals), Sex Mob rip through the Barry songbook, infusing each piece with a sexy, almost trashy vibe that was always subdued in the Bond films..