Melancholy Death

What we have here are Miaskovsky’s 27 symphonies with two overtures, two early tone poems (one after Poe; the other, Shelley), three sinfoniettas, one serenade, one Divertissement, one Concertino Lirico, one Slav Rhapsody and a piece called Links. It’s all the music for orchestra apart from the two concertos and choral works with orchestra (Kirov is With Us and Kremlin by Night). Note that the version of the Sixth Symphony here is the ……

Rob Barnett @ Musicweb-international.com

What we have here are Miaskovsky’s 27 symphonies with two overtures, two early tone poems (one after Poe; the other, Shelley), three sinfoniettas, one serenade, one Divertissement, one Concertino Lirico, one Slav Rhapsody and a piece called Links. It’s all the music for orchestra apart from the two concertos and choral works with orchestra (Kirov is With Us and Kremlin by Night). Note that the version of the Sixth Symphony here is the ……

Rob Barnett @ Musicweb-international.com

What we have here are Miaskovsky’s 27 symphonies with two overtures, two early tone poems (one after Poe; the other, Shelley), three sinfoniettas, one serenade, one Divertissement, one Concertino Lirico, one Slav Rhapsody and a piece called Links. It’s all the music for orchestra apart from the two concertos and choral works with orchestra (Kirov is With Us and Kremlin by Night). Note that the version of the Sixth Symphony here is the ……

Rob Barnett @ Musicweb-international.com

What we have here are Miaskovsky’s 27 symphonies with two overtures, two early tone poems (one after Poe; the other, Shelley), three sinfoniettas, one serenade, one Divertissement, one Concertino Lirico, one Slav Rhapsody and a piece called Links. It’s all the music for orchestra apart from the two concertos and choral works with orchestra (Kirov is With Us and Kremlin by Night). Note that the version of the Sixth Symphony here is the ……

Rob Barnett @ Musicweb-international.com

What we have here are Miaskovsky’s 27 symphonies with two overtures, two early tone poems (one after Poe; the other, Shelley), three sinfoniettas, one serenade, one Divertissement, one Concertino Lirico, one Slav Rhapsody and a piece called Links. It’s all the music for orchestra apart from the two concertos and choral works with orchestra (Kirov is With Us and Kremlin by Night). Note that the version of the Sixth Symphony here is the ……

Rob Barnett @ Musicweb-international.com

What we have here are Miaskovsky’s 27 symphonies with two overtures, two early tone poems (one after Poe; the other, Shelley), three sinfoniettas, one serenade, one Divertissement, one Concertino Lirico, one Slav Rhapsody and a piece called Links. It’s all the music for orchestra apart from the two concertos and choral works with orchestra (Kirov is With Us and Kremlin by Night). Note that the version of the Sixth Symphony here is the ……

Rob Barnett @ Musicweb-international.com

What we have here are Miaskovsky’s 27 symphonies with two overtures, two early tone poems (one after Poe; the other, Shelley), three sinfoniettas, one serenade, one Divertissement, one Concertino Lirico, one Slav Rhapsody and a piece called Links. It’s all the music for orchestra apart from the two concertos and choral works with orchestra (Kirov is With Us and Kremlin by Night). Note that the version of the Sixth Symphony here is the ……

Rob Barnett @ Musicweb-international.com

What we have here are Miaskovsky’s 27 symphonies with two overtures, two early tone poems (one after Poe; the other, Shelley), three sinfoniettas, one serenade, one Divertissement, one Concertino Lirico, one Slav Rhapsody and a piece called Links. It’s all the music for orchestra apart from the two concertos and choral works with orchestra (Kirov is With Us and Kremlin by Night). Note that the version of the Sixth Symphony here is the ……

Rob Barnett @ Musicweb-international.com

From a novel by author Elizabeth Taylor comes the inspiration for Angel, the second English-language film by French director Francois Ozon. In many ways a throwback to the grand romances of Hollywood's Golden Age, Angel also features a wider range of sensibilities that would seem to attract attention from modern arthouse crowds. The story follows the life of young author Angel Deverell, whose force of will leads the audience on a journey from the imaginative aspirations of her youth all the way through her eventual death. A fierce personality for Angel and the story's willingness to toss in a tart now and then provide the film with spicy interest. Angel marks the fifth collaboration (since 2003) between Ozon and young French composer Philippe Rombi, who has shown the talent and promise of an international career that is yet unrealized. Without a doubt, Angel is the biggest spectacle to come out of Rombi's career as of yet, contributing to a belief that he very well could be an extension of (or replacement for) the late master of French romanticism, Georges Delerue. In many ways, Angel will be an absolute delight for fans of Delerue, mostly due to Rombi's unashamed, lyrical devotion to his three themes for the film.

Django Reinhardt was the first hugely influential jazz figure to emerge from Europe – and he remains the most influential European to this day, with possible competition from Joe Zawinul, George Shearing, John McLaughlin, his old cohort Stephane Grappelli and a bare handful of others. A free-spirited gypsy, Reinhardt wasn't the most reliable person in the world, frequently wandering off into the countryside on a whim. Yet Reinhardt came up with a unique way of propelling the humble acoustic guitar into the front line of a jazz combo in the days before amplification became widespread. He would spin joyous, arcing, marvelously inflected solos above the thrumming base of two rhythm guitars and a bass, with Grappelli's elegantly gliding violin serving as the perfect foil…