Mercy Mercy

The Cannonball Adderley Quintet - Mercy, Mercy, Mercy! (1966) {2014 Japan Universal 100 Series UCCU-99064}
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© 1966, 2014 Capitol / Universal Japan | UCCU-99064
Jazz / Hard Bop / Soul Jazz / Saxophone

If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly!

Cornetist Nat Adderley's music has not developed much since his years with Cannonball Adderley, but the playing on this CD is of such a high level that one really does not mind. Adderley's chops sound better than usual for the period as he teams up with altoist Antonio Hart (who hints at Cannonball while giving the music his own approach), pianist Rob Bargad, bassist Walter Booker and drummer Jimmy Cobb. The nine songs include six from the Cannonball days, including a version of the title cut that gets beyond the melody for some fine solos, as well as a catchy original apiece by Hart and Bargad, and the standard "On the Sunny Side of the Street." Excellent hard bop.

Mercy is among the most fascinating and overlooked acts to emerge from Sweden. Formed in the early 1980s by Andrija Veljaca, a native Croatian who moved to Sweden in the 1970s and was the band’s only constant member, Mercy was one of a handful of groups that established Sweden as a hub for a new raw and visceral style of heavy metal in the 1980s…

Formed in 2008, AGENTS OF MERCY was originally a side-project by Roine Stolt (guitars, bass, vocals) of The Flower Kings fame, whrere the goal was to create a low key, mostly acoustic based type of music…

Buddy Rich - Mercy, Mercy (1968) {Pacific Jazz ‎CDP854331 rel 1997}
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© 1968, 1997 Pacific Jazz / Capitol | CDP 7243 8 54331 2 2
Jazz / Modern Big Band / Mainstream Jazz / Bop / Drums

This CD reissue brings back the finest all-round recording by Buddy Rich's big band. The original version of "Channel 1 Suite" is a classic and contains tenor saxophonist Don Menza's most memorable solo, plus a couple of brilliant improvisations from the explosive drummer/leader. Another highlight is an inventive Phil Wilson arrangement of "Mercy, Mercy, Mercy," and even "Alfie" (a melodic feature for altoist Art Pepper) and "Ode to Billie Joe" come across well.

…The original version of "Channel 1 Suite" is a classic and contains tenor saxophonist Don Menza's most memorable solo, plus a couple of brilliant improvisations from the explosive drummer/leader. Another highlight is an inventive Phil Wilson arrangement of "Mercy, Mercy, Mercy," and even "Alfie" (a melodic feature for altoist Art Pepper) and "Ode to Billie Joe" come across well…

While the goth scene in England was picking up commercial steam in the mid-'80s, the Sisters of Mercy may have seemed quiet, but they roared back with 1987's Floodland. Opening with the driving two-part hymn "Dominion/Mother Russia," Sisters leader Andrew Eldritch (along with bassist Patricia Morrison) creates a black soundscape that is majestic and vast. While the earlier Sisters releases were noisy, sometimes harsh affairs, Floodland is filled with lush production (thanks to Meat Loaf writer/producer Jim Steinman and the New York Choral Society) and lyric imagery that is both scary and glorious. The slower tracks, like "Flood" and "1959," are some of the best ethereal sounds goth has to offer, and the downright regal "This Corrosion" is one of the best songs of the genre. A definite milestone.