Messiaen Alpha

‘Enigma’ is the Greek word for ‘riddle’, ‘mystery’, ‘secret’. At the moment of entering or leaving life, there is always a sound: the cry of a newborn baby or the last sigh of a dying person giving up the ghost. Soprano Sarah Aristidou sets out in search of the original sound in this programme, which opens with Andreas Tsiartas’s Lamento Turco . The voice emerges from silence in a wordless lament on the vowel ‘A’.

Giorgi Gigashvili is only twenty-two, but he is already hitting the headlines: now a pupil of Nelson Goerner, he is a protégé of Martha Argerich, who gave him the urge to play the piano alongside his first love, pop singing - at the age of thirteen, he won the television talent show ‘The Voice’ in his homeland, Georgia. A few years later, Martha Argerich discovered him at the III International Piano Competition "City of Vigo", and he went on to win prizes at several more, including the Hortense Anda-Bührle Prize at the Géza Anda Competition in Zurich in 2021. Another high-flying mentor, the violinist Lisa Batiashvili, asked him to play the piano on her recording of the Franck Violin Sonata. His free and spectacular playing impresses, his creativity and personality astonish. Here he presents his first recital, revealing his palette of colours: Scarlatti, Beethoven, Scriabin and Messiaen. But never far away is his shadow; as the singer of the electro band Tsduneba (‘temptation’ in Georgian) which he founded with his friends.

Violinist Alena Baeva joins Alpha Classics for several recordings, starting with an album of chamber music with pianist Vadym Kholodenko, her favourite partner. Together they offer an eclectic and unusual programme of Schubert's fearsome and magnificent Fantasy for violin and piano , composed a year before his death… This is followed by Stravinsky's joyous and boisterous miniatures in a collection entitled Divertimento , proposed as an abridgement of the ballet Le Baiser de la fée (The Fairy's Kiss).

The American countertenor Christopher Lowrey founded the vocal ensemble Altera ‘to form the beating heart of professional choral music in the United States’. Now regarded as one of the finest and most enterprising choirs on the North American continent, Altera has devised this musical tour through sacred territories which focuses on epic narratives from various periods, from Renaissance music to the present day. The programme includes timeless works by Gibbons, Lotti, Scheidt and Bruckner, as well as twentieth-century compositions by Poulenc, Messiaen and others. Barber’s celebrated Adagio sits alongside the moving Salvator Mundi , taken from Herbert Howells’s Requiem . Not forgetting three world premiere recordings of works written or arranged for Altera by composers Joanna Marsh, Zuzanna Koziej, and Michael Garrepy, who has arranged Were you there?