Meyers

The daughter of an artist and a college president, Meyers was born in San Diego, California. Her mother is of Japanese descent. Raised in Southern California, she studied with Shirley Helmick, and then with Alice and Eleonore Schoenfeld at the Colburn School of Performing Arts in Los Angeles. She then studied with Josef Gingold at Indiana University and Dorothy DeLay, Felix Galimir, and Masao Kawasaki at the Juilliard School in New York City. Combining her junior and senior high school years and graduating early from the Juilliard School at age 20, she began touring internationally and recording exclusively for RCA Red Seal.

Vic Meyers & Vick Myers - The Bands Of Vic Meyers, 1923-1929, & Vick Meyers, 1925-1926 (2000} {Timeless Historical CBC 1-060}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 164 Mb | MP3 @320 -> 150 Mb
Full Artwork @ 300 dpi (jpg) -> 31 Mb | 5% repair rar
© 1923-1929, 2000 Timeless Records | Timeless Historical Series | CBC 1-060 | Mono
Jazz / Classical Big Band

Victor Aloysius Meyers was born in mid -1898 as the 15th of 16 children in Little Falls, Minnesota. Vic's father was County Treasurer for Morris County, Minnesota, a position he held for 30 years. When the family moved West to Oregon in the mid-'teens, Vic started on a musical career. He could play violin, but by the age of 18, he was a drummer in a three piece group that played each summer at Seaside, an ocean resort. At 21, in 1919 he got a two year contract to play with a full size band in the Rose Room in Seattle’s Hotel Butler, located at the corner of 2nd Avenue and James Street. Its construction started around 1900 and when it opened it "immediately became the jewel in the City’s crown. Its lavish Rose Room grill featured magnificent cuisine in an atmosphere of top recording orchestras, cut-glass chandeliers, thick imported carpets and sterling silver."

Violinist Anne Akiko Meyers' Koch release Smile continues, to some extent, from her previous Avie issue Birds in Warped Time in that she is attempting to expand beyond the constraints of typical classical CD programming combining a couple of big works, or collecting a bunch of little ones, "encores" into something more imaginative and in more keeping with her own taste and personality. With that, Meyers has invested some measure of muscle into developing repertoire that fits her generous, yet transparent tone with the same degree of comfort as one of her designer-made concert gowns. Here we have an arrangement of the Japanese melody "Kojo No Tsuki," made by Meyers herself in collaboration with Shigeaki Saegusa, for solo violin.